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The flash tends to wash the picture out
Scan photo transparency
Recommend a good camera for kids
Color synchronizing for print and computer monitor
Image organization
Printing larger format
Shooting with SLR camera
All-In-One printers
Hi Michael,
If your close-up photographs look “over flashed” and washed out, there may be a few reasons why. I’m not sure of your lighting conditions or how close you are standing to your subject, so I’ll cover all bases with multiple suggestions. Try the following techniques and see which one works for your situation:
1. Stand farther away from your subject.
The Canon Powershot SX100 IS has Face Detection Technology that sets the focus, exposure and flash automatically, but if you’re standing too close to your subject (1-3 feet) you could overexpose the shot. And if you are standing too far away from your subject (over 12 feet) your flash may not reach. A good rule of thumb is to stand about 6 feet away from your subject and zoom in with your lens to fill the frame. The SX100 IS has 10x optical zoom (the 35mm film equivalent is approximately 36-360mm). This means you could stand from 6-12 feet away and zoom in to fill the frame, while still flashing your subject.
2. Diffuse Your Flash.
Professional photographers often use diffusion discs, soft boxes, or sheets of silk stretched over metal frames as a way to soften the natural or artificial light falling upon their subjects. You can soften the strength of your on-camera flash by using a piece of translucent material (a sheer piece of fabric or paper) held or taped in front of your flash. I’ve used shreds of a paper napkin or a small piece of silk, anything that is white and somewhat sheer will work.
3. Adjust your Flash Output.
You can control the strength of your flash by adjusting your Flash Compensation settings (this is different from Exposure Compensation). Not all cameras include Flash Compensation, but the SX100 IS does allow you to make this adjustment. Make sure your camera is set to either “P” “TV” “AV” or “M” and press the Function button to find the Flash Compensation setting. Now you can adjust the range of the flash, up or down, in increments.
4. Use Night Snapshot or Night Scene mode.
Many low-light indoor and outdoor shots require using a flash, and if you’re photographing people, faces might be overexposed while the background looks too dark. When you choose either of these Night Modes, (both options are found on the Mode Dial) the camera uses a slower shutter speed to capture more ambient light in the scene, while still flashing your subject. Due to the slower shutter, you may need to stabilize your camera with a tripod, or a very steady hand.
5. Turn off your flash – adjust your ISO.
ISO is the digital camera sensor’s sensitivity to the light. This replaces film speed, or ASA film ratings used with film cameras. You may find yourself in a situation where you need a flash, but you aren’t allowed to use one, for example, at a museum or a school play. Or perhaps you prefer the quality of natural light as opposed to flash. If it’s dark and you need to let more light into the camera to make a proper exposure, raise your ISO to a higher number. Many compact digital cameras only offer up to 400 or 800 ISO. The Canon Powershot SX100 IS has an ISO rating of up to 1600. Just keep in mind that a higher ISO setting can create “noise” (similar to film grain) in the dark areas of your image, but the trade off might mean missing the shot entirely. To adjust your ISO, set your camera to “P” “TV” “AV” or “M” and press the Function button to select the desired ISO setting.
I hope these suggestions help you gain more control over the technical aspect of your camera and allow you the creative freedom to capture beautiful photographs!

 


Dear Stanley,
If you want quality scans from your slides, negatives, and prints, you need to consider a scanner that offers a high-resolution scan. Higher optical resolution and bit-depth numbers result in scans with greater color detail and sharpness.

This is especially important if you plan on printing enlargements or cropping your digital image after scanning. Of course, it also helps if a scanner is easy to use and affordable.

That’s why I recommend the CanoScan 8800F. “Quality, speed, or cost - pick two” as the saying goes, but in this instance you can have all three.

Here are a few reasons why:
  • It has a maximum color dpi (that’s dots per inch) resolution of 4800 x 9600, and a maximum bit-depth of 48. More bit depth translates into better output because more layers of information exist in the scan. Typically a bit-depth of 24 works just fine, but it’s nice to know you have the ability to tackle any scanning challenge.
  • The USB 2.0 Hi-Speed interface connects the scanner to your computer. This translates to a faster scan.
  • The interface is easy to use – it turns on immediately with zero warm-up time, and large function buttons automate the scanning process. Just select the use for the image, and poof! Your scan is ready in seconds.
  • The scanner comes with three mounts: one for regular print film negatives, one for 35mm slides, and one for 120-size negatives. The mounts are very simple to use. To save time, you can batch-scan up to twelve 35mm frames or up to four slides — either positives or negatives.
  • The built-in retouching technology removes dust and scratches on those old family photos with an automatic retouch and enhance feature.
  • It comes with Adobe Photoshop Elements 5.0, the easy-to-use consumer version of the industry standard image-editing software program, Photoshop. This robust software program helps you organize, enhance, and share your images once they are scanned.
  • The cost is $199.99.
If you’re running out of real estate on your desk for multiple devices, you might also consider a multi-functionprinter/scanner like the
PIXMA MP970
Photo All-In-One Printer.

The scanner has a maximum color dpi (that’s dots per inch) resolution of 4800 x 9600, and a maximum bit-depth of 48. Although this model does not offer Photoshop Elements or the ability to scan 120 transparency film, or batch scan, it does print documents and photos, scans photos, 35mm negatives, and up to 4 mounted slides.

You can also print from memory cards without even connecting to a computer. The Easy Scroll Wheel makes it super easy to select your options: scan, print, or copy. You’re giving up some film scanning features, but it gives you a lot of other options for only $299.99.
Before purchasing any scanner make sure your computer’s OS (operating system) will work with the scanner’s driver (that’s the language a scanner needs to talk to your computer). For example, some older scanners don’t have drivers that work with newer OS systems such as Vista or Leopard. Both the CanoScan 8800F and the PIXMA MP970 Photo All-In-One Printer work with all the current OS systems.

Scanning your negatives and prints is an excellent way to preserve, organize, and cherish your images for years to come. Make sure you produce the best scan possible!

 

Dear Jennifer,
You now have many more options! Digital cameras have come a long way in a short period of time.
They are better, faster, and less expensive than the original digital cameras.

Considering your needs and price range, a sturdy,
advanced compact digital camera might fit the bill. Following are a few reasons:
  • You need more optical zoom than a small compact camera can provide. Scrapbooking images look more compelling when you tell a story with your images. That means taking wide shots, medium shots, and close-ups. A sturdy camera with 10x optical zoom allows you to zoom in close from a distance and capture the action much more efficiently.
  • A camera over 6 megapixels gives you enough resolution to make large prints and crop in very close to details in your images without losing clarity.
  • Higher ISO capability gives you the ability to shoot in low light situations without using your flash.
  • A Mode Dial lets you select Scene Modes or full manual control effortlessly.
  • A good camera for you would be a Canon PowerShot SX100 IS. It retails for about $300, has 10x optical zoom, 8 megapixels, 1600 ISO and has other great features like Face Detection and Red-eye Correction.
Another option to consider is moving up to a dSLR like the Canon Digital Rebel XTi.
It is a little out of your budget ($600) but it might be worth saving for- here’s why:
  • You can interchange your lenses. This is a big deal. Different lenses give you different looks. You can build your lens cache over time and produce much more professional looking images.
  • It has a fast, 3 frames-per-second shooting with a 27 frame rate. That’s a lot of pictures, really fast! Great for your travel and action shots.
  • 10.1 megapixels gives you more resolution and the ability to produce large prints and crop close without losing sharpness in your images.
  • This camera configuration will stand the test of time. When you decide to purchase a new camera body years from now, you can still use the same lenses.
I hope this helps you on your photographic adventures. Good luck and let me know what happens!

 

Dear Steve,
Producing prints that come close to matching what you see on your computer monitor can be difficult and confusing. There are so many variables; even the experts are often stymied by this dilemma. One reason is because an image on a backlit computer screen can never look exactly like a print on paper. Another reason is - digital cameras, computer monitors, and printers all reproduce a different range of colors, called a color gamut. It’s as if your camera speaks French, the computer monitor speaks German, and your printer speaks Italian. Mama Mia, what’s a person to do?
To gain control and consistently produce the prints you want, you need to manage how color is translated to each device. Color management can be very involved, so I’m going to stick to 3 basic steps:

  1. Calibrate your computer monitor.
    Photographers that are serious about accurate color, calibrate their computer monitors with a colorimeter device to ensure that their screen display matches the final printed product. http://www.colorvision.com/product-mc.php. If one of these devices is not in the budget, try the free built-in system software calibration with your Apple G5 (PCs use Abobe Gamma). Go to your Apple menu, choose System Preferences, click on Displays, then click on the Color tab. When the color options appear, click on Calibrate and make sure to click on the Expert Mode checkbox. Don’t worry, you don’t need to be an expert - this just gives you more options to fine-tune your monitor. I advise choosing 2.2 Gamma and D65 for the White Point.
   
  1. Enhance your image and embed a color profile.
    Digital cameras often err towards an underexposed image, which is not a bad thing. Underexposing your image retains detail in the highlight areas, and you can always adjust the contrast and color afterwards in an image-editing software program. Both Photoshop Elements and iPhoto offer many tools that allow you to make adjustments to your image before printing. When saving your image in Photoshop Elements be sure to embed a color space. Embedding profiles with an image makes its color portable, so that different devices can translate its color values.
    Go to File > Save As > Check the Embed Color Profile: Adobe RGB 98.
    This assigns a wide gamut color space (also known as a source space), used with ink-jet printing, and photographic labs. iPhoto does not offer color management options at this time.
   
  1. Prepare to print.
    First, make sure you have the latest driver for your printer. Go to http://www.usa.canon.com/consumer and click on Download Library, then make your selections in the dropdown menus, download, and install. Next, go to File > Print and check the “Show More Options” button. Choose “Printer Color Management” in the dropdown menu. If you are using ColorSync in any of your image-editing programs, turn it off, otherwise your colors are managed twice and may have a strange color-cast. ColorSync is only effective if you have a custom-made profile for your printer and paper combination. Be aware that your choice of paper, choice of ink and the lighting conditions used to view the print also affect the color you see on the printed page.
   
If this seems too involved and you want to take the simple “automatic” route, start with calibrating your monitor. Next, adjust the brightness, contrast, and saturation levels in your images using an image-editing software program. Then make some test prints to find the right settings. Another simple trick is to print directly from your memory card to the printer. Most consumer printers anticipate the underexposed digital image and automatically adjust the color from the memory card, producing lighter, brighter prints. This is why your prints from the iP6700D looked great when you printed from your Compact Flash card.

If you would like to learn more about color management, there are some very good books on the subject. I suggest Color Management for Digital Photographers for Dummies, by Ted Padova and Don Mason, and Color Confidence: The Digital Photographer’s Guide to Color Management by Tim Grey.

 

You are not alone! Image organization is a problem that many people are frustrated about. Once you begin to transfer countless digital images onto your computer, the more difficult it can become to keep them in order and find what you’re looking for- unless you have a system in place to organize your images.

You could orchestrate your own file management system with one central folder and use separate folders for each family member, but why not take advantage of the many helpful features that various software programs offer? Quite a few image-organizing software programs are available online or come already installed on your computer. They include easy ways to organize and edit your images, even with multiple users.
For example:
  • Picasa is a free software download from Google that helps you locate and organize your digital images. It collects and organizes all the images on your computer, scanning the images and automatically sorting them by date. You can also edit and add effects to your photos with a few simple clicks, and then share your photos with others through email and prints, and online. Did I mention that it’s free?
  • iPhoto includes a photo-organizing and viewing software program, and it comes bundled with every Apple computer. iPhoto allows you to import, organize, edit, and perform basic enhancements like removing red-eye, cropping, and improving image contrast.
  • Adobe Photoshop is the industry standard for professional image-editing, and Photoshop® Elements® is the very robust, easy-to-use consumer version. It’s known for a myriad of retouching and enhancement options but it also includes image-organizing functions to categorize images with identifying information, or search for images by keywords or rating. It’s very easy to use and economically priced (free 30 day trial download on www.adobe.com and under $100 to purchase).

When organizing your images, think about the attributes that will help you identify that image. Some categories might include name, date, location, and the specific event.

On a final note, be sure to back up your images regularly. If you don’t, you are flirting with disaster. Here is a typical scenario: you took a lot of great photos, transferred them to your computer and then ‘poof’ - your computer crashes, something is corrupted and all those wonderful digital images you were saving vanish instantly.

The safest methods for backing up and storing your photos today include CD, DVD, online, external hard drives, and prints- with redundancy for insurance. I suggest backing up your images at least two times, with two different methods, and store them in two different locations. Make an appointment with yourself for an annual image storage checkup - open files to see if they can still be accessed via the current technology and double-check your online image sharing accounts.

A traditional, but tried and true method for saving your photographs is to print them out. You might not print photos as often as you did with a film camera, but there is still a special satisfaction when you are holding a printed picture or viewing it in a frame or a scrapbook, as opposed to seeing it on a computer screen. By using quality inks and paper, you can rest assured that your precious memories will last for generations to come.

 

 

I can understand why you want to showcase your images in a larger format- large prints provide an immediate impact and are very dynamic. To ensure that your images look their best when printed larger than the standard 8 x 10” size, a quality printer is required. I would recommend purchasing either a Canon Pro9000 or Canon Pro9500. Both models deliver up to 13 x 19” borderless, gallery quality photos in color or B&W, print on a wide selection of papers, offer print longevity, and include EasyPhoto-Print Pro software. However, these printers do have a few differences that might affect your decision - following is a brief comparison and summary that should help.

Pro9000 $499
  • 8 ink cartridges (Red, Green, Yellow, Cyan, Magenta, Photo Cyan, Photo Magenta, Photo Black)
  • Dye-based inks.
  • Prints on many paper types, from the Canon high-gloss Photo Paper Pro to Canon Fine Art Photo Rag.
  • Longevity is 100 years in an archival album, 30 years behind glass, and 10 years in open air.
Pro9500 $849
  • 10 ink cartridges (Red, Green, Yellow, Cyan, Magenta, Photo Cyan, Photo Magenta, Photo Black, Matte Black, Gray)
  • Pigment-based inks
  • Prints on many paper types, but does not print on high-gloss paper.
  • Longevity is 200 years in an archival album, 100 years behind glass, and 50 years in open air.

To summarize simply, the Pro9000 is the printer to use if you demand vibrant color detail, want to print on anything from high-gloss paper to Fine Art Photo Rag, and have budget concerns. The Pro9500 is the printer to use if you need vibrant color and more detailed B&W prints with the highest tonal gradation, don’t need high-gloss paper, and budget is not as important as print longevity.

You’ll notice that the Pro9500 uses pigment-based ink and the Pro9000 uses dye-based ink. Is one printer better than the other? My answer is, no! Just like most things we all ponder over purchasing, it depends on your specific needs and what you can afford to spend.

A point and shoot camera is great for recording life moments. You can take them anywhere and they are relatively inexpensive; however, if you want to advance to the next level of creative expression with your photography, a digital SLR camera is a must have. It’s a natural progression to advance from a point and shoot camera to a digital SLR and these cameras are much more affordable than ever before.

Before purchasing a dSLR, it’s a good idea to do a little research by going online to read reviews and other consumer opinions about various camera models.
I like to check out www.cnet.com, www.epinions.com, and www.amazon.com before making a decision about purchases. I also suggest that you visit your local camera store and ask to look at the models you’ve researched. Pick up the cameras to see how each one feels in your hand, and make sure the controls and buttons are easy to reach and press. With your newfound knowledge, you can make an informed decision about which camera to purchase.

One of the key differences and major benefits of using a digital SLR camera is the ability to change the lenses on your camera body for different effects, and the camera itself also provides many more options for creative control over your images. For example:

1. It’s easier to capture the action at your child’s soccer game or other sporting event because there is virtually no shutter delay between the time you press the shutter and the when image is recorded. How many times have you missed a great photo opportunity because the point and shoot camera didn’t capture the picture fast enough?

2. Professional portraits and most sporting event images have a blurred background yet keep the subject in focus. This is called shallow depth of field and it’s accomplished by using a longer focal length lens on a dSLR, for example a (100mm-300mm).

3. You can achieve greater detail, better color, more dynamic range (the ability to record detail in light as well as dark areas), and less noise (similar to film grain), all due to a superior image sensor.

4. So many accessories are available for a dSLR. You don’t need them all at once, but you can add them to your cache over time - flashes, filters, lenses, the list goes on and on. Since the dSLR is a modular system, you can continue to build upon it for years to come.

I recommend that all my photo workshop students start with a Canon XTi digital SLR. It’s superior image quality and ease of use provide an economical and intelligent entry into the world of digital photography. This camera is perfect for the beginning photo enthusiast and leaves plenty of room to grow. It’s fast, responsive, and well designed with a shooting-friendly layout. Your pictures will reflect more of your creative vision, your friends and family will be impressed, and you will capture priceless moments that last for generations.

Gone are the days of needing a separate photo printer and film scanner for your images.
Behold the Canon PIXMA MP960 Photo All-In-One Printer! This is a great multi-function printer for your home office or studio. I use mine to print sharp text documents, beautiful photographs, copy, and scan anything from pictures to slides and negatives. It prints on paper from credit card size for wallet photos up to 8.5 x 11” and everything in between. You can even produce prints without connecting to your computer by inserting a memory card and making creative choices right from the printer’s LCD screen. Or you can connect a Pictbridge-ready digital camera or DV camcorder, or create prints by transferring them from a compatible Bluetooth device. The Easy Scroll Wheel makes everything easy to handle and your prints will be fabulous.

 

 

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