Smart AUTO intelligently selects the proper camera settings based on 58 predefined shooting situations and the Face ID function adjusts focus and exposure priority based on pre-registered faces.
In Smart AUTO, the PowerShot SX50 HS analyzes various factors in the scene's background and subject, then selects optimal camera settings based on predefined shooting situations to achieve the best possible image quality. The Smart AUTO function on PowerShot SX50 HS includes an astonishing 58 predefined shooting situations, giving you spectacular image quality in virtually any photographic conditions you'll encounter.
Canon's futuristic Face ID feature allows you to register up to 12 faces on your camera, then gives those faces priority over others with regard to focus and exposure. As a result, even in group scenes, you'll always get great shots of your children, family and friends.
PowerShot cameras offer shooting modes that make it easy to take perfect photos in a wide range of shooting situations by providing intelligent presets with optimized settings.
Shooting Modes/Special Scene Modes
Custom Define and store your own settings to achieve the effects you prefer.
Manual You have complete control of exposure, selecting both aperture and shutter speed manually.
Aperture-priority You set the aperture, controlling depth-of-field. The camera automatically selects the shutter speed.
Shutter-priority You select the shutter speed to stop or blur action, and the camera finds the appropriate aperture. With slow exposure times, Canon's noise reduction system activates to ensure low image noise.
Program Access advanced exposure compensation features while shooting mostly automatically.
Smart AUTO The camera automatically selects the best shooting settings for optimal quality based on subjects and environmental factors to provide point-and-shoot simplicity.
Movie Digest Records a video clip before capturing a still image and then combines one day's worth of clips into a video. Now easily playback and review clips, and delete unwanted scenes.
Sports The camera uses high shutter speeds to capture fast-moving subjects.
Portrait The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject “pop.”
Smooth Skin Removes dullness, wrinkles, and harsh shadows for beautiful faces.
Smart Shutter The camera automatically takes the photo when people smile, wink, or get into frame.
High-Speed Burst HQ Captures fast-action shots at full resolution, providing continuous shooting when the shutter button is held down.
Handheld Night Scene Take clear and steady pictures at night without the use of a tripod.
Snow Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.
Fireworks Grab brilliant images of skyrocketing fireworks.
Stitch Assist Easy-to-use guidelines simplify the shooting of aligned multiple frames that can later be combined (using bundled software) to create panoramic photos.
Creative Filters This setting provides easy access to special filter effects and scene modes, such as Toy Camera Effect, Poster Effect, Monochrome and more.
High Dynamic Range The camera combines three different exposures to get one evenly lit image.
Fisheye Effect Add a classic photo distortion without a fisheye lens.
Miniature Effect Emphasizes perspectives for a miniature effect by blurring upper and bottom portions of the image.
Toy Camera Effect Simulates photos taken with "toy" or pinhole cameras, darkening the image at the edges to create a vignette effect.
Soft Focus Creates a hazy ambiance that's perfect for portraits and wedding photos.
Monochrome Choose from three single-tone effects: Black-and-White, Sepia, or Blue.
Super Vivid Super Vivid intensifies existing hues, saturating the scene with bright colors.
Poster Effect Poster Effect combines several similar shades into one color, turning subtle gradations into eye-catching, scene-popping contrasts.
Color Accent Choose to retain a single color in your image while other colors turn monochrome.
Color Swap Select a color and replace it with a color you specify for special effects.
Movie Record video in stereo sound. Unwanted scenes can be deleted in playback mode.
iFrame Movie The Apple® movie format, iFrame, makes it easier and quicker to import and upload videos while retaining high image quality.
Super Slow Motion Movie Record your clips in high speed (approx. 240 fps), and then watch your videos in slow motion.
Actual results may vary from examples shown above.
Final image may vary depending on picture composition.
Great carry around camera
This a great all in one carry around camera. I also own the older SX1 and SX40HS, and this camera improves on both.
The SX1 has a 35mm equivalent 24-560mm lens, has great image quality, great video, and shoots RAW files, but the downfall in my view was AA batteries which had a very short useful life (relative to a Lithium Ion battery) and always seemed to die at the wrong moment. There was no battery charge indicator other than an "idiot" light that would flash as the battery died.
Then a few versions later came the SX40HS. Great camera, battery charge indicator, Lithium Ion battery, 35mm equivalent 24-840mm lens, great image quality, great features, great video... but no RAW.
Now we have this little gem the SX50HS which in my view finally completes the picture for the perfect carry around camera with an even longer lens range, battery charge indicator, Lithium Ion battery with remarkable life, great image quality, great video, great features and shoots RAW files!
This camera boasts remarkable image quality from a very small chip. Does it compare to the image quality I get from my 1DS Mark III or 5D Mark III? No. Did I expect it to? No. But for the all the amazing features packed into this camera the bottom line for me is that there are many great images that HAVE been captured because of the portability and range of this camera which might have been missed otherwise, as I don't regularly tote around the 20 - 30 pounds of gear that would be needed to cover this lens range on my full frame DSLRs.
November 19, 2012
Perfect for a safari
I bought this camera 1.5 years ago because I was going on an african safari and was impressed by the zoom videos on youtube.
The you tube videos don't do this camera justice. This is the most amazing camera. Everyone on the safari wanted this camera because they were amazed by the quality of the pictures i was able to capture of animals so far away. Took it on a glacier cruise later. Caught my mother packing it in her bag because she loved it as well. She ended up buying her own.
I'm off to Machu Picchu and Easter Island and can't wait to use it again!
April 10, 2014
Great camera at any price
I shoot a lot of wildlife esp. birds. Because of the 1200mm zoom and because it is light to carry it has been a dream to use.After hundreds of photos with super results I have never been happier with a product. Because of my experience 2 friends have purchased this camera. I hand hold it and shoot at 1200 mm and a birds eye will be In perfect focus..
March 11, 2014
Good, but with some major reservations
I like this camera overall. Image quality is excellent in terms of detail, color accuracy, saturation, sharpness, consistency, and depth of field at all aperture settings. I tested 6 other competitive cameras in the super-zoom bridge camera category, and this is the camera I ultimately purchased.
So, end results are very good, and there is a lot to like here. However, the amount of text permitted in this review will not provide room for all the positives, so I am afraid I will have to “focus” on the negatives – issues that I would like to see corrected in the next iteration of this camera. (BTW, Canon – it would be nice if you told prospective reviewers the MAXIMUM number of characters allowed so we don’t have to use guesswork & trial-and-error to find out!)
The absolute MOST annoying design flaw in this camera is that the self-timer button is located on the far right-hand edge of the back of the camera. This is a terrible location for this or any other control button, since almost every time you pick up, pass, or hold the camera to shoot, the heel of your palm presses this button and activates the timer. Often this cannot be corrected with just a single button press, as the timer has a number of elapsed time options and you may have to depress the button numerous times to turn the timer off to commence shooting! One has to learn how to delicately and unnaturally hold the camera to prevent this from occurring, and even then it happens consistently despite one’s best efforts. This flaw drives me out of my mind, and if it were not for the camera’s good performance which has forced me to learn to live with this perpetual frustrating annoyance, this would be a total deal-breaker.
Second major issue: the electronic LCD viewfinder’s resolution at a mere 202k dots is junk compared with competitors, all of which at least more than quadruple this spec! I use an EVF a lot, and it is almost essential if you want to take photos in bright light or shoot extended telephoto shots without camera-shake blur. Moreover, the diopter adjustment wheel is EXTREMELY difficult to operate.
Related to the EVF inferiority is the inconvenient location of the button which alternates the photographer’s view between the EVF and the LCD screen, and its inconvenient operation. You must pull the camera well away from your face to locate and operate it, and since the button is one of many dual-function buttons, you must press it twice quickly to change the views, which slows down composition & shooting. This camera either needs a well-designed automatic EVF-switching sensor, or else the button needs to be relocated - ideally to the left side of the flash unit near the diopter, where it belongs!
The telephoto is amazing. There is a button on the side of the lens barrel that further locks in the image stabilization at extreme focal lengths, although it is a bit clumsy to use, is difficult to locate by feel, and often jars the camera when one tries to depress it, thus defeating its efficacy entirely! At greater telephoto lengths in dim light the camera does often have to “hunt” for focus, resulting in a lot of noisy lens extension and retraction buzzes and grinds that don't have a pleasing high-quality mechanical sound to them!
There are no in-camera adjustable settings for contrast, sharpness, or noise-reduction, which I initially found unusual since this camera’s competitors (that I tested) all include such adjustment settings. However, and luckily, the default settings and the resulting images in these areas are so good that I don’t miss being able to tweak them.
The owner’s manual is very lengthy, convoluted, and most sections are loaded with cross-references to other pages and sections, making instructions very laborious and confusing to follow as you attempt to flip back and forth between all the cross-references and sub-cross-references. Like all cameras these days, the manual is only available in electronic form, which makes it virtually impossible to use. Fortunately, there are online services which for a reasonable price will produce print copies of the manual and provide fast delivery.
Features I would like to see in addition to a correction of the major complaints mentioned above: a lens cap that pops off when you turn on the camera and the lens extends, like my previous camera offered; an on-screen battery status indicator that A.) doesn’t start flashing CONTINUALLY onscreen once you get down to 25% battery power, ceasing only when battery is depleted (a REALLY annoying feature of this camera!), and B.) tells how many minutes or shots remain on the battery charge rather than simply depicting a very gross and generalized full /empty battery symbol that all-too-quickly goes into flash alert mode (see A., preceding!).
February 28, 2014