Incorporating a technology proven in Canon’s professional level camcorders, HD CMOS Pro is a 1/3” native 1920 x 1080 image sensor which delivers outstanding video resolution, superb low-light performance and a wide dynamic range. Unlike image sensors found in competitive consumer camcorders, HD CMOS Pro uses fewer pixels, which are significantly larger (61 percent)* and more sensitive, resulting in optimized video performance.
Outstanding Video Resolution (800 Vertical and 900 Horizontal TV Lines)
Since the effective number of pixels of HD CMOS Pro is equal to 1920 x 1080, resizing is eliminated, allowing Full HD video to be captured and recorded with professional precision.
Superb Low-Light Performance (1.5 lux)**
Because each individual pixel is larger and more sensitive, each is capable of capturing more light, allowing high quality video to be achieved even in dimly lit conditions. The sensitivity of HD CMOS Pro is approximately 25% better than the Full HD CMOS sensor in the 2010 VIXIA HF S-series.
Wide Dynamic Range
A larger pixel area also allows more light to be stored, resulting in 280% improvement in dynamic range for exceptional reproduction of both highlights and shadows.*** Skin tones are captured in a finer gradation, and stable gamma and Auto Exposure control is also achieved resulting in a more ‘lifelike’ image.
* This is compared to the pixel size of Canon’s 2010 VIXIA camcorders of 1.7µm. The current HD CMOS Pro pixel size is now 2.75 µm, reflecting a 61.76 percent increase in size.
** Rating measured with auto shutter speed of 1/30 second.
*** This statistic is the result of comparisons with Canon’s HD CMOS Pro, versus Canon’s 2010 VIXIA HF S-series camcorders.
Great video camera
A great camera for semi-pro, pro (non-broadcast) use. Works well in low light. Image stabilization works very well. Handles easy. Great storage capabilities with hard drive/SD cards.
Getthe optional high-powered battery for much better battery life
April 16, 2013
JUST BOUGHT IT - Learning to use it
I just aquired this camcorder in prep for Alaska tour this summer. I have been reading(?) the manual that came with this camera. LOTS of info. I am not a video pro but hope to take some great vids of Alaska. It looks easy to run and just playing around, found that the batery that comes with the camera is a little weak. Ran down to 75% after 10 minutes of use (vid and pictures). I am ordering two extra large cap bateries (BP818 I think) plus a separate charging station. I have also ordered the two SD 32gb extreme pro cards to suppliment the onboard memory. I may use the camcorder to record concert that I record for audio. The camera seems to be a great fit for what I want to do and should do well in all of the coming video situations. I will file another review when I get back from Alaska this summer. My fingers are crossed. Canon products have never let me down yet!
January 30, 2013
I switched to the HFG10 and loaded it up with 2 more 32 GB SD cards and the largest original manufacturer battery available for continuous recording. Power consumption is very low and 96 GB continuous is perfect The low light capabilities are outstanding. In a room with a 32 watt energy saving bulb the colors and contrast from shadow to lit areas is very smooth and the image is sharp The auto-focus is best when set at a slightly lower speed than normal because it gives your eyes a chance to take in the detail and the power of the AF. The LCD monitor has given me a a direct understanding of the differences between having more mega-pixel vs larger size of pixel. I found the touch screen response was good after getting used to the pressure required. My only 2 complaints are the lens cap needs a string and choices for the custom buttons are limited but at least the HFG10 has the option to customize.
December 15, 2012
Versatile Tool with limitations
Everyone said all the good so no need to recount all the details about how versatile the camera is. The down side is the "Noise". The camera is almost unusable in low light condition (speaking from a semi-professional stand point). And when I say low light, I am talking even with aprox 300W lit room, the subject still has lot's of digital noise. It's almost as if the moment you increase the gain, the sensor become sub par. Only in a highly and well lit situation does the camera shine, within the context.
September 30, 2012