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    EOS C100 Mark II

    Cinema EOS

    Item Code: 0202C002AA
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    Powerfully Evolved HD Freedom.

    The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

    The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

    Features

    Expand All

    Canon Super 35mm CMOS Sensor

    The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite - each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range. Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.

    DiG!C DV 4 Image Processor

    The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.

    Simultaneous AVCHD and MP4 Recording

    The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.

    Slow and Fast Motion Recording

    The EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.

    MP4 Conversion

    This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.

    Redesigned 3.5-Inch OLED Panel

    OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually 100 percent field of view coverage, wide and faithful color range support, and improved viewing even in bright sunshine. The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility. The design allows the panel to fold shut when stowed and protect the OLED surface. It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel.

    1.23 Megapixel Tilting Color EVF

    Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.

    Dual Pixel CMOS AF

    A standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.

    Face AF Mode

    Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.


    Push Auto Iris

    Push Auto Iris automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure, even in situations where lighting changes frequently.


    The following EF Lenses are compatible with Face AF and Auto Push Iris:

    • EF-S 10-18mm f/4.5-5.6 IS STM
    • EF-S 18-135mm f/3.5-5.6 IS STM
    • EF-S 18-55 f/3.5-5.6 IS STM
    • EF-S 55-250mm f/4-5.6 IS STM
    • EF 24-105 f/3.5-5.6 IS STM
    • EF-S 18-135mm f/3.5-5.6 IS USM

    59.94p Frame Rate

    By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.

    Wireless FTP Video Transfer

    MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.

    Built-In Microphone

    A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.

    Built-In Canon Log LUT

    Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.

    Red Record Buttons

    There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.

    New Ergonomic Re-Design

    The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.

    Outstanding Low Light Sensitivity and Wide Dynamic Range

    The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops.

    Full Manual Control and Focusing Aids

    Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.

    Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic

    The removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in 16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.

    HDMI® Out with Time Code

    The Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.

    Canon RC-V100 Remote Controller

    An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location.

    Canon GP-E2 EOS GPS Receiver

    An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.

    Specifications

    Expand All

    Effective Pixels


    3840 x 2160 pixels; Approx. 8.29 megapixels

    Total Pixels


    4206 x 2340 pixels; Approx. 9.84 megapixels

    Sensor Type


    CMOS

    Sensor Size


    Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch

    Scanning System


    Progressive

    Number of Sensors


    1

    Filter


    RGB Primary Color Filter (Bayer Array)

    Imaging Processor


    Digic DV 4

    Interchangeable Lens System


    EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.

    ND Filter


    Mechanical ND filter system with option of clear, 2, 4, and 6 stops

    Iris Dial


    Manual setting in 1/2-step increments, 1/3-step increments or fine
    Push Auto Iris Control
    Auto Iris Control

    Peripheral Illumination Correction


    Available

    Exposure Modes


    Manual
    Push Auto Iris Control
    Auto Iris Control (STM lenses)

    Metering Modes


    Available (Standard Center Weighted, Spotlight, Backlight)

    Gain


    Normal Setting -6dB to 30dB (-6dB to 44dB with Sensitivity Expansion ON)
    Fine Setting -6dB to 24dB in 0.5dB increments

    ISO


    320 to 102,400* in 1-step or 1/3 step increments

    * When the sensitivity is expanded

    ND Filter


    3 densities (2 stops, 4 stops, 6 stops)

    Exposure Compensation/AE Shift


    Available

    Shutter Modes


    3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
    Speed setting can be set in 1/3 or 1/4 stop increments

    Shutter Speed Range


    59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz

    PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz

    23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz

    50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz

    PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz

    Shutter Angle Settings


    59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

    PF30: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25

    23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

    50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

    PF25: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25

    Iris (Aperture) Range


    Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.

    Focus Settings


    Manual, One-Shot AF (Dual Pixel CMOS AF), Continuous AF (Dual Pixel CMOS AF), Face AF

    Autofocus System


    Available; AF is dependent on interchangeable lenses
    (a) Dual Pixel CMOS AF (screen center)
    (b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected

    Signal System


    NTSC and PAL

    Compression


    MPEG-4 AVC / H.264

    Color Space


    Available

    Maximum Bit rate


    AVCHD: 28 Mbps
    MP4: 35 Mbps

    Recording Options


    AVCHD:


    MP4:

    Recording Time



    Recording Media


    SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported

    File Format


    AVCHD
    MP4

    File System


    FAT 32

    Maximum Clip Number


    999 (per media)

    Recording Format


    AVCHD:
    28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz
    All Other Modes: Dolby Digital 2ch

    MP4:
    MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
    35-17 Mbps: 256 kbps
    Less than 4 Mbps: 128 kbps

    Built-in Microphone


    Monaural Microphone in Camera Body
    Stereo Microphone in Handle Unit

    External Audio Inputs


    2 - XLR inputs (Auto and Manual level settings)
    External microphone terminal: (3.5 mm diameter)

    Recording Channel Selection


    This is used to set the allocation of the audio channels:
    CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
    CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
    CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
    ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.

    XLR Mic Trimming


    Available; -12dB, -6dB, 0dB, +6dB or +12dB

    Limiter


    Available

    Recording Level Adjustment Range


    - Infinity to +18dB, Automatic
    Separate controls for internal and externally connected microphones.

    Phantom Power


    Available; +48V

    Headphone Adjustment


    16 Settings; Volume is muted at lowest setting

    Built-in Speaker


    Yes; 16 level settings

    1KHz Tone


    Available; Off, -12, -18, or -20dB

    Playback


    (1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
    (2)Special Playback: Fast Forward: 5x Speed>15x speed>60x speed>5x speed... Fast Reverse: 5x speed>15x speed>60x speed>5x speed... Frame Forward: 1-frame increments Frame Reverse: In 0.5 second increments (1-GOP increments) Skip Playback: The first image located according to the number of times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip and pauses. Rec. Review: Rec review is executed by pressing the rec review button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the last 4 seconds of that clip. When continuous recording has been performed so that the recording extends from one care onto the other, only the images on the card in the current slot are played. Slow Playback: None

    Slow and Fast Motion Recording


    Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No sound is recorded. 59.94 Hz mode (MP4)

    50.00 Hz mode (MP4)

    Special Recording Functions


    Relay Recording; Double-Slot Recording; Continuous Recording

    Photo Recording Mode


    Available; Images captured to SD Card; Images can be captured in Camera and Media modes.

    Waveform Monitor


    Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)
    Gain: 1x/2x

    Vectorscope


    Available; 2 Modes (Spot/Normal)
    Gain: 1x/5x

    Exposure/Focus Aids


    Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode

    Pre-Record


    Yes, 3 seconds cache (Audio and Video)

    Scan Reverse


    Available (Horizontal, vertical or both can be selected)

    Time code


    Drop Frame (DF)* or Non-Drop Frame (NDF)
    *59.94(i/P>/29.97P mode in 59.94 Hz mode only

    Time Code Modes


    Regen, Record Run, Free Run

    Auto White Balance (AWB)


    Available (BT.709/Wide DR)

    White Balance Presets


    AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B

    Custom Functions


    Available, 8 total functions

    Custom Display


    Available; Total of 33 displays including audio level and remaining battery can be turned on and off

    Assign Buttons


    17; Can be assigned functions as desired

    Color Bars


    Available; Color bars compliant with SMPTE, ARIB
    (59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)

    Minimum Subject Illumination


    59.94 Hz Mode: 0.3 Lux
    (f/1.2 lens, 24dB, PF29.27, 1/30s)50.00 Hz Mode: 0.25 Lux
    (f/1.2 lens, 24dB, PF25.00, 1/25s)

    Sensitivity


    59.94 Hz mode: F9
    [1920x1080/59.94i, ISO 640 (0dB), 2000 lux, reflectance ratio of 89.9%]50.00 Hz mode: F10
    [1920x1080/50.00i, ISO 640 (0dB), 2000 lux, reflectance ratio of 89.9%]

    S/N Ratio


    59.94 Hz Mode: 54dB (Typical)
    [1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]50.00 Hz Mode: 54dB (Typical)
    [1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]

    Dynamic Range


    During Normal Shooting: 300%
    *With Canon Log Gamma or Wide DR Gamma: 800%
    *ISO 850 or above - gain 2.5dB or above

    Viewing Angle Adjustment


    28.2-degrees

    Diopter Adjustment Range


    +2.0 to -5.5

    EVF Adjustments


    Brightness, Contrast, Color, Sharpness, and Backlight

    Type


    Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body

    Display Adjustments


    Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)

    Time code In/Out


    Yes; through HDMI (Output Only)

    HDMI


    Yes (Type A); Video and Audio Output

    Audio Input Terminal


    2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
    3.5mm Microphone terminal on main body

    Headphone Jack


    Available; 3.5mm stereo mini-jack

    Remote Terminals


    Available, 2.5mm stereo mini jack

    Power Terminal


    Battery Pack: 7.4 V
    DC in: 8.4V

    Battery


    BP-9 Series (BP-955 Supplied)

    Compact Power Adapter


    CA-940 N (Supplied)

    Tripod Adapter


    Canon TA-100

    Tripod Adapter Base


    Canon TB-1

    Zoom Remote Controller


    Canon RC-V100

    Dimensions


    Camera Body plus Thumb Rest (without eyecup):
    Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
    Camera Body plus Grip plus Eyecup:
    Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
    Camera Body plus Thumb Rest plus Handle Unit & Eyecup:
    Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)

    Main Unit Weight


    Approx. 2.5 lbs (1125g)

    Temperature and Humidity


    Performance requirements: 0°C to 40°C, 85% (relative humidity)
    Operating requirements: -5°C to 45°C, 60% (relative humidity)

    Language Support


    German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese

    Time and Date


    Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.

    World Clock


    World Clock support - UTC time setting: Setting range from -12:00 to +14:00

    EOS C100 Mark II Box Contents

    EOS C100 Mark II Box Contents Eyecup Handle Unit Thumb Rest Tripod Base Shoulder Strap (SS-1200) Battery Pack (BP-955) Compact Power Adaptor (CA-940N) - for North America Compact Power Adaptor (CA-941) - for other than North America Battery Charger (CG-940) DC Cable (for CA-930) AC Cable Data Import Utility Disc

    Compatible Supplies & Accessories

    Canon offers a wide range of compatible supplies and accessories that can enhance your user experience with you EOS C100 Mark II that you can purchase direct. Scroll down to easily select items to add to your shopping cart for a faster, easier checkout. Visit the Canon Online Store

     

     

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    Brochures

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    Resources

    Case Studies

    No Place Like Home

    08/03/17
    10.23 MB

    White Papers

    Canon Log Gamma Curves

    12/18/18
    0.81 MB

    Articles

    10 Things You Need to Know About the New Canon EOS C100 Mark II

    01/28/15

    Remotely uploading video files: EOS C100 Mark II to Google Drive

    03/31/15

    Interactive Simulator


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    Available Packages

    Cinema EOS C100 Mark II with EF-S 18-135mm Lens Package

    EOS C100 Mark II EF-S 18-135mm PACKAGE

    Item Code: 0297C002
    This package includes:
    • EOS C100 Mark II
    • EF-S 18-135mm f/3.5-5.6 IS STM Lens
    Cinema EOS C100 Mark II with EF 24-105mm f/4L IS II USM Lens Package

    EOS C100 Mark II EF 24-105mm PACKAGE

    Item Code: 2245C002
    This package includes:
    • EOS C100 Mark II
    • EF 24-105mm f/4L IS II USM Lens
    Cinema EOS C100 Mark II (body only) with Atomos Ninja2 Recorder Package

    EOS C100 Mark II (Body Only) with Atomos Ninja2 Recorder PACKAGE

    Item Code: 0202C013
    This package includes:
    • EOS C100 Mark II
    • Atomos Ninja2 Recorder
    Cinema EOS C100 Mark II with EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L II USM, and EF 70-200mm f/2.8L IS II USM Lens Package

    EOS C100 Mark II Triple Lens PACKAGE

    Item Code: 0202C010
    This package includes:
    • EOS C100 Mark II
    • EF 16-35mm f/2.8L II USM Lens
    • EF 24-70mm f/2.8L II USM Lens
    • EF 70-200mm f/2.8L IS II USM Lens
    Cinema EOS C100 Mark II (body only) with Atomos Ninja2 Recorder Package

    EOS C100 Mark II EF-S 17-55mm PACKAGE

    Item Code: 0202C030
    This package includes:
    • EOS C100 Mark II
    • EF-S 17-55mm f/2.8 IS USM Lens
    Cinema EOS C100 Mark II with EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L II USM, and EF 70-200mm f/2.8L IS II USM Lens Package

    EOS C100 Mark II Wedding / Documentary PACKAGE

    Item Code: 0202C029
    This package includes:
    • Grip
    • Camera Cover
    • Handle Unit
    • Thumb Rest
    • SKB Custom Case
    • EOS C100 Mark II w/ Dual Pixel CMOS AF Feature Upgrade
    • Battery Pack BP-955
    • Compact Power Adapter CA-930
    • DC Cable for CA-930
    • Tripod Adapter Base TB-1
    • DJI Ronin-M Stabilizer
    • Data Import Utility Disk plus Sennheiser AVX-ME2 LAV Wireless Microphone
    • WFT Attachment
    • Measuring Hook
    • AC Cable x2
    • Shoulder Strap SS-1200

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    Videos


    Canon EOS C100 Mark II Product Overview Video: Part Two: Internal Features

    The new EOS C100 Mark II, which was designed with input provided by users, include new and advanced features like the Dual Pixel CMOS AF, multiple recording formats and more.

    Canon EOS C100 Mark II Product Overview Video: Part One: External Features

    The new EOS C100 Mark II, which was designed with input provided by users, include new and advanced features like the OLED display panel, an adjustable EVF and more.

    C100 Mark II - How to Change the Aperture Without the Grip Unit Attached

    In our new Quick Tips series, you get to watch and learn right from Canon Digital Learning Center experts! Each video will feature a Canon Technical Advisor offering a helpful imaging tip.

    Behind the scenes with the Canon EOS C100 Mark II: Episode One: Pre-production Part 1

    Learn about the pre-production process for a science-fiction short film created with the EOS C100 Mark II.

    Behind the scenes with the Canon EOS C100 Mark II: Episode Two: Pre-production Part 2

    Go behind the scenes with "Film Riot's" Ryan Connolly and Cinematographer Ryan Booth as they create a short film with the EOS C100 Mark II.

    Behind the scenes with the Canon EOS C100 Mark II: Episode Three: Camera Movement

    Camera movements are another way to contribute to storytelling. See which tools "Film Riot" used to move or stabilize the EOS C100 Mark II.

    Behind the scenes with the Canon EOS C100 Mark II: Episode Four: Lighting for Interiors

    Learn about the process for setting up lights, in conjunction with EOS C100 Mark II and monitor set-up, and see how daylight and indoor light can be created.

    Behind the scenes with the Canon EOS C100 Mark II: Episode Five: Visual Effects

    Join "Film Riot" and learn how they accomplish visual effects in-camera with the EOS C100 Mark II, with lights, by planning it into their script, mixing CGI with filmed scenes, and more.

    An Insider’s look at the EOS C100 Mark II

    We sit down with Brian Morrow, Creative Director of Shark Pig to discuss the EOS C100 Mark II. He discusses how features such as reliable auto focus, small footprint, pro res out, two card slots, and being able to control the camera remotely.

    Orphan Cars

    Orphan Cars is a short-form documentary shot on EOS C100 Mark II cameras. It spotlights a husband and wife antique car restoration team and their prized 1953 Kaiser Carolina, as they prepare for a car show in South Beach.

    Orphan Cars: Behind the Scenes

    Director of Photography Chapin Hall gives a behind the scenes look at the making of Orphan Cars, a short-form documentary about a husband and wife team of car restorers and their 1953 Kaiser Carolina.

    Canon Dual Pixel Autofocus

    Even with today’s advancements in digital photography and cinematography, being precisely in focus isn’t that easy – especially when doing it alone.

    This is to make Misc appear on the page when needed.

    † Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.

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