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EOS C100 Mark II
Cinema EOS
Canon Store: $

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Providing access to all important user functions.
Find an authorized Canon dealer or rental house for Cinema EOS C100 Series.

Powerfully Evolved HD Freedom.
The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.
The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.
Features
Canon Super 35mm CMOS Sensor
The

DiG!C DV 4 Image Processor
The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.


Simultaneous AVCHD and MP4 Recording
The

Slow and Fast Motion Recording
The


MP4 Conversion
This feature allows for converting an AVCHD or MP4 recording on the SD card in the


Redesigned 3.5-Inch OLED Panel
OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the

1.23 Megapixel Tilting Color EVF
Larger and totally redesigned from what was featured on its predecessor model, the

Dual Pixel CMOS AF
A standard feature of the
Face AF Mode
Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.


Push Auto Iris
Push Auto Iris automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure, even in situations where lighting changes frequently.
The following EF Lenses are compatible with Face AF and Auto Push Iris:
- EF-S 10-18mm f/4.5-5.6 IS STM
- EF-S 18-135mm f/3.5-5.6 IS STM
- EF-S 18-55 f/3.5-5.6 IS STM
- EF-S 55-250mm f/4-5.6 IS STM
- EF 24-105 f/3.5-5.6 IS STM
- EF-S 18-135mm f/3.5-5.6 IS USM
59.94p Frame Rate
By popular demand, the
Wireless FTP Video Transfer
MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.

Built-In Microphone
A monaural "mono" microphone is built into the body of the

Built-In Canon Log LUT
Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the
Red Record Buttons
There are three start/stop record buttons on the

New Ergonomic Re-Design
The

Outstanding Low Light Sensitivity and Wide Dynamic Range
The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops.

Full Manual Control and Focusing Aids
Digital filmmakers preferring complete manual control have that ability with the Canon

Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic
The removable top handle on the Canon

HDMI® Out with Time Code
The Canon

Canon RC-V100 Remote Controller
An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location.
Canon GP-E2 EOS GPS Receiver
An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.

Specifications
Effective Pixels
3840 x 2160 pixels; Approx. 8.29 megapixels
Total Pixels
4206 x 2340 pixels; Approx. 9.84 megapixels
Sensor Type
CMOS
Sensor Size
Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch
Scanning System
Progressive
Number of Sensors
1
Filter
RGB Primary Color Filter (Bayer Array)
Imaging Processor
Digic DV 4
Interchangeable Lens System
EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.
ND Filter
Mechanical ND filter system with option of clear, 2, 4, and 6 stops
Iris Dial
Manual setting in 1/2-step increments, 1/3-step increments or fine
Push Auto Iris Control
Auto Iris Control
Peripheral Illumination Correction
Available
Exposure Modes
Manual
Push Auto Iris Control
Auto Iris Control (STM lenses)
Metering Modes
Available (Standard Center Weighted, Spotlight, Backlight)
Gain
Normal Setting -6dB to 30dB (-6dB to 44dB with Sensitivity Expansion ON)
Fine Setting -6dB to 24dB in 0.5dB increments
ISO
320 to 102,400* in 1-step or 1/3 step increments
* When the sensitivity is expanded
ND Filter
3 densities (2 stops, 4 stops, 6 stops)
Exposure Compensation/AE Shift
Available
Shutter Modes
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed setting can be set in 1/3 or 1/4 stop increments
Shutter Speed Range
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings
59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
Iris (Aperture) Range
Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.
Focus Settings
Manual, One-Shot AF (Dual Pixel CMOS AF), Continuous AF (Dual Pixel CMOS AF), Face AF
Autofocus System
Available; AF is dependent on interchangeable lenses
(a) Dual Pixel CMOS AF (screen center)
(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected
Signal System
NTSC and PAL
Compression
MPEG-4 AVC / H.264
Color Space
Available
Maximum Bit rate
AVCHD: 28 Mbps
MP4: 35 Mbps
Recording Options
AVCHD:
MP4:
Recording Time
Recording Media
SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported
File Format
AVCHD
MP4
File System
FAT 32
Maximum Clip Number
999 (per media)
Recording Format
AVCHD:
28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All Other Modes: Dolby Digital 2ch
MP4:
MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
35-17 Mbps: 256 kbps
Less than 4 Mbps: 128 kbps
Built-in Microphone
Monaural Microphone in Camera Body
Stereo Microphone in Handle Unit
External Audio Inputs
2 - XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)
Recording Channel Selection
This is used to set the allocation of the audio channels:
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
XLR Mic Trimming
Available; -12dB, -6dB, 0dB, +6dB or +12dB
Limiter
Available
Recording Level Adjustment Range
- Infinity to +18dB, Automatic
Separate controls for internal and externally connected microphones.
Phantom Power
Available; +48V
Headphone Adjustment
16 Settings; Volume is muted at lowest setting
Built-in Speaker
Yes; 16 level settings
1KHz Tone
Available; Off, -12, -18, or -20dB
Playback
(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
(2)Special Playback: Fast Forward: 5x Speed>15x speed>60x speed>5x speed... Fast Reverse: 5x speed>15x speed>60x speed>5x speed... Frame Forward: 1-frame increments Frame Reverse: In 0.5 second increments (1-GOP increments) Skip Playback: The first image located according to the number of times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip and pauses. Rec. Review: Rec review is executed by pressing the rec review button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the last 4 seconds of that clip. When continuous recording has been performed so that the recording extends from one care onto the other, only the images on the card in the current slot are played. Slow Playback: None
Slow and Fast Motion Recording
Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No sound is recorded. 59.94 Hz mode (MP4)
50.00 Hz mode (MP4)
Special Recording Functions
Relay Recording; Double-Slot Recording; Continuous Recording
Photo Recording Mode
Available; Images captured to SD Card; Images can be captured in Camera and Media modes.
Waveform Monitor
Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)
Gain: 1x/2x
Vectorscope
Available; 2 Modes (Spot/Normal)
Gain: 1x/5x
Exposure/Focus Aids
Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Pre-Record
Yes, 3 seconds cache (Audio and Video)
Scan Reverse
Available (Horizontal, vertical or both can be selected)
Time code
Drop Frame (DF)* or Non-Drop Frame (NDF)
*59.94(i/P>/29.97P mode in 59.94 Hz mode only
Time Code Modes
Regen, Record Run, Free Run
Auto White Balance (AWB)
Available (BT.709/Wide DR)
White Balance Presets
AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B
Custom Functions
Available, 8 total functions
Custom Display
Available; Total of 33 displays including audio level and remaining battery can be turned on and off
Assign Buttons
17; Can be assigned functions as desired
Color Bars
Available; Color bars compliant with SMPTE, ARIB
(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
Minimum Subject Illumination
59.94 Hz Mode: 0.3 Lux
(f/1.2 lens, 24dB, PF29.27, 1/30s)50.00 Hz Mode: 0.25 Lux
(f/1.2 lens, 24dB, PF25.00, 1/25s)
Sensitivity
59.94 Hz mode: F9
[1920x1080/59.94i, ISO 640 (0dB), 2000 lux, reflectance ratio of 89.9%]50.00 Hz mode: F10
[1920x1080/50.00i, ISO 640 (0dB), 2000 lux, reflectance ratio of 89.9%]
S/N Ratio
59.94 Hz Mode: 54dB (Typical)
[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]50.00 Hz Mode: 54dB (Typical)
[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
Dynamic Range
During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
Viewing Angle Adjustment
28.2-degrees
Diopter Adjustment Range
+2.0 to -5.5
EVF Adjustments
Brightness, Contrast, Color, Sharpness, and Backlight
Type
Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body
Display Adjustments
Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Time code In/Out
Yes; through HDMI (Output Only)
HDMI
Yes (Type A); Video and Audio Output
Audio Input Terminal
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
Headphone Jack
Available; 3.5mm stereo mini-jack
Remote Terminals
Available, 2.5mm stereo mini jack
Power Terminal
Battery Pack: 7.4 V
DC in: 8.4V
Battery
BP-9 Series (BP-955 Supplied)
Compact Power Adapter
CA-940 N (Supplied)
Tripod Adapter
Canon TA-100
Tripod Adapter Base
Canon TB-1
Zoom Remote Controller
Canon RC-V100
Dimensions
Camera Body plus Thumb Rest (without eyecup):
Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
Camera Body plus Grip plus Eyecup:
Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
Camera Body plus Thumb Rest plus Handle Unit & Eyecup:
Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)
Main Unit Weight
Approx. 2.5 lbs (1125g)
Temperature and Humidity
Performance requirements: 0°C to 40°C, 85% (relative humidity)
Operating requirements: -5°C to 45°C, 60% (relative humidity)
Language Support
German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese
Time and Date
Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.
World Clock
World Clock support - UTC time setting: Setting range from -12:00 to +14:00
EOS C100 Mark II Box Contents

Compatible Supplies & Accessories
Canon offers a wide range of compatible supplies and accessories that can enhance your user experience with you EOS C100 Mark II that you can purchase direct. Scroll down to easily select items to add to your shopping cart for a faster, easier checkout. Visit the Canon Online Store

Battery Pack 955
MSRP: 210.0

Battery Pack 975
MSRP: 280.0

CA-930 Power Adapter
MSRP: 165.0

CA-940 Compact Power Adapter

CA-946 Compact Power Adapter
The Canon CA-946 is a compact AC adapter for the EOS R5 C as well as other cameras. It allows the camera to connect directly into a standard wall outlet for power or to charge the camera battery.

GPS Receiver GP-E2
Rugged and lightweight design Records location as EXIF information to images when shooting Can act as a stand-alone GPS logger Camera time can be synched by the built-in atomic clock
MSRP: 390.0

Remote Controller RC-V100
The RC-V100 Remote Controller provides full access to all important user functions, in addition to basic controls. Learn More

Tripod Adapter Base
MSRP: 35.0

Tripod Adapter TA-100
TA-100 Tripod Adapter allows you to quickly mount/dismount the XL2 on or from a tripod.

Video Light VL-10Li II
A small, light and powerful video light for indoor and outdoor use. Rated at 10 watts, it accepts a Lithium-Ion battery pack for power and attaches to the XH G1 / XH A1's accessory shoe.

Video: CarePAK PLUS (2YR)
CarePAK PLUS offers protection from accidental damage such as drops, spills, power surges, and more, including normal wear and tear, beyond the standard warranty period. It also includes Image Recovery (included with Cameras, Camcorders, and Printers with a memory card slot only), priority repair service, free return shipping, $0 deductible, genuine Canon factory service with only genuine Canon parts, and is transferable if you sell or gift your product. With a CarePAK PLUS, a damaged product will be repaired to good working condition or replaced with an equivalent product.
Brochures
Available Packages

EOS C100 Mark II Body Only
Item Code: 0202C002- EOS C100 Mark II Body Only
EOS C100 Mark II EF-S 18-135mm PACKAGE
Item Code: 0297C002- EOS C100 Mark II
- EF-S 18-135mm f/3.5-5.6 IS STM Lens
EOS C100 Mark II EF 24-105mm PACKAGE
Item Code: 2245C002- EOS C100 Mark II
- EF 24-105mm f/4L IS II USM Lens
EOS C100 Mark II (Body Only) with Atomos Ninja2 Recorder PACKAGE
Item Code: 0202C013- EOS C100 Mark II
- Atomos Ninja2 Recorder
EOS C100 Mark II Triple Lens PACKAGE
Item Code: 0202C010- EOS C100 Mark II
- EF 16-35mm f/2.8L II USM Lens
- EF 24-70mm f/2.8L II USM Lens
- EF 70-200mm f/2.8L IS II USM Lens
EOS C100 Mark II EF-S 17-55mm PACKAGE
Item Code: 0202C030- EOS C100 Mark II
- EF-S 17-55mm f/2.8 IS USM Lens

EOS C100 Mark II Wedding / Documentary PACKAGE
Item Code: 0202C029- Grip
- Camera Cover
- Handle Unit
- Thumb Rest
- SKB Custom Case
- EOS C100 Mark II w/
Dual Pixel CMOS AF Feature Upgrade - Battery Pack BP-955
- Compact Power Adapter CA-930
- DC Cable for CA-930
- Tripod Adapter Base TB-1
- DJI Ronin-M Stabilizer
- Data Import Utility Disk plus Sennheiser AVX-ME2 LAV Wireless Microphone
- WFT Attachment
- Measuring Hook
- AC Cable x2
- Shoulder Strap SS-1200
Videos
Canon EOS C100 Mark II Product Overview Video: Part Two: Internal Features
The new EOS C100 Mark II, which was designed with input provided by users, include new and advanced features like the Dual Pixel CMOS AF, multiple recording formats and more.Canon EOS C100 Mark II Product Overview Video: Part One: External Features
The new EOS C100 Mark II, which was designed with input provided by users, include new and advanced features like the OLED display panel, an adjustable EVF and more.C100 Mark II - How to Change the Aperture Without the Grip Unit Attached
In our new Quick Tips series, you get to watch and learn right from Canon Digital Learning Center experts! Each video will feature a Canon Technical Advisor offering a helpful imaging tip.Behind the scenes with the Canon EOS C100 Mark II: Episode One: Pre-production Part 1
Learn about the pre-production process for a science-fiction short film created with the EOS C100 Mark II.Behind the scenes with the Canon EOS C100 Mark II: Episode Two: Pre-production Part 2
Go behind the scenes with "Film Riot's" Ryan Connolly and Cinematographer Ryan Booth as they create a short film with the EOS C100 Mark II.Behind the scenes with the Canon EOS C100 Mark II: Episode Three: Camera Movement
Camera movements are another way to contribute to storytelling. See which tools "Film Riot" used to move or stabilize the EOS C100 Mark II.Behind the scenes with the Canon EOS C100 Mark II: Episode Four: Lighting for Interiors
Learn about the process for setting up lights, in conjunction with EOS C100 Mark II and monitor set-up, and see how daylight and indoor light can be created.Behind the scenes with the Canon EOS C100 Mark II: Episode Five: Visual Effects
Join "Film Riot" and learn how they accomplish visual effects in-camera with the EOS C100 Mark II, with lights, by planning it into their script, mixing CGI with filmed scenes, and more.An Insider’s look at the EOS C100 Mark II
We sit down with Brian Morrow, Creative Director of Shark Pig to discuss the EOS C100 Mark II. He discusses how features such as reliable auto focus, small footprint, pro res out, two card slots, and being able to control the camera remotely.Orphan Cars
Orphan Cars is a short-form documentary shot on EOS C100 Mark II cameras. It spotlights a husband and wife antique car restoration team and their prized 1953 Kaiser Carolina, as they prepare for a car show in South Beach.Orphan Cars: Behind the Scenes
Director of Photography Chapin Hall gives a behind the scenes look at the making of Orphan Cars, a short-form documentary about a husband and wife team of car restorers and their 1953 Kaiser Carolina.Canon Dual Pixel Autofocus
Even with today’s advancements in digital photography and cinematography, being precisely in focus isn’t that easy – especially when doing it alone.† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.
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