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Canon Super 35mm CMOS Sensor
The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite - each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range. Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.
Canon DIGIC DV 4 Image Processor
The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.
Simultaneous AVCHD and MP4 Recording
The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.
Slow and Fast Motion Recording
The EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.
This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.
Redesigned 3.5-Inch OLED Panel
OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually 100 percent field of view coverage, wide and faithful color range support, and improved viewing even in bright sunshine. The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility. The design allows the panel to fold shut when stowed and protect the OLED surface. It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel.
1.23 Megapixel Tilting Color EVF
Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.
Dual Pixel CMOS AF
A standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.
Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.
Push Auto Iris
Push Auto Iris automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure, even in situations where lighting changes frequently.
The following EF Lenses are compatible with Face AF and Auto Push Iris:
- EF-S 10-18mm f/4.5-5.6 IS STM
- EF-S 18-135mm f/3.5-5.6 IS STM
- EF-S 18-55 f/3.5-5.6 IS STM
- EF-S 55-250mm f/4-5.6 IS STM
- EF 24-105 f/3.5-5.6 IS STM
- EF-S 18-135mm f/3.5-5.6 IS USM
59.94p Frame Rate
By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.
Wireless FTP Video Transfer
MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.
A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.
Built-In Canon Log LUT
Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.
Red Record Buttons
There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.
New Ergonomic Re-Design
The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.
Outstanding Low Light Sensitivity and Wide Dynamic Range
The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops.
Full Manual Control and Focusing Aids
Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.
Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic
The removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in 16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.
HDMI® Out with Time Code
The Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.
Canon RC-V100 Remote Controller
An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location.
Canon GP-E2 EOS GPS Receiver
An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.
3840 x 2160 pixels; Approx. 8.29 megapixels
4206 x 2340 pixels; Approx. 9.84 megapixels
Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch
Number of Sensors
RGB Primary Color Filter (Bayer Array)
Digic DV 4
Interchangeable Lens System
EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.
Mechanical ND filter system with option of clear, 2, 4, and 6 stops
Manual setting in 1/2-step increments, 1/3-step increments or fine
Push Auto Iris Control
Auto Iris Control
Peripheral Illumination Correction
Push Auto Iris Control
Auto Iris Control (STM lenses)
Available (Standard Center Weighted, Spotlight, Backlight)
Normal Setting -6dB to 30dB (-6dB to 44dB with Sensitivity Expansion ON)
Fine Setting -6dB to 24dB in 0.5dB increments
320 to 102,400* in 1-step or 1/3 step increments
* When the sensitivity is expanded
3 densities (2 stops, 4 stops, 6 stops)
Exposure Compensation/AE Shift
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed setting can be set in 1/3 or 1/4 stop increments
Shutter Speed Range
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings
59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
Iris (Aperture) Range
Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.
Manual, One-Shot AF (Dual Pixel CMOS AF), Continuous AF (Dual Pixel CMOS AF), Face AF
Available; AF is dependent on interchangeable lenses
(a) Dual Pixel CMOS AF (screen center)
(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected
NTSC and PAL
MPEG-4 AVC / H.264
Maximum Bit rate
AVCHD: 28 Mbps
MP4: 35 Mbps
SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported
Maximum Clip Number
999 (per media)
28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All Other Modes: Dolby Digital 2ch
MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
35-17 Mbps: 256 kbps
Less than 4 Mbps: 128 kbps
Monaural Microphone in Camera Body
Stereo Microphone in Handle Unit
External Audio Inputs
2 - XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)
Recording Channel Selection
This is used to set the allocation of the audio channels:
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
XLR Mic Trimming
Available; -12dB, -6dB, 0dB, +6dB or +12dB
Recording Level Adjustment Range
- Infinity to +18dB, Automatic
Separate controls for internal and externally connected microphones.
16 Settings; Volume is muted at lowest setting
Yes; 16 level settings
Available; Off, -12, -18, or -20dB
(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
(2)Special Playback: Fast Forward: 5x Speed>15x speed>60x speed>5x speed... Fast Reverse: 5x speed>15x speed>60x speed>5x speed... Frame Forward: 1-frame increments Frame Reverse: In 0.5 second increments (1-GOP increments) Skip Playback: The first image located according to the number of times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip and pauses. Rec. Review: Rec review is executed by pressing the rec review button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the last 4 seconds of that clip. When continuous recording has been performed so that the recording extends from one care onto the other, only the images on the card in the current slot are played. Slow Playback: None
Slow and Fast Motion Recording
Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No sound is recorded. 59.94 Hz mode (MP4)
50.00 Hz mode (MP4)
Special Recording Functions
Relay Recording; Double-Slot Recording; Continuous Recording
Photo Recording Mode
Available; Images captured to SD Card; Images can be captured in Camera and Media modes.
Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)
Available; 2 Modes (Spot/Normal)
Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Yes, 3 seconds cache (Audio and Video)
Available (Horizontal, vertical or both can be selected)
Drop Frame (DF)* or Non-Drop Frame (NDF)
*59.94(i/P>/29.97P mode in 59.94 Hz mode only
Time Code Modes
Regen, Record Run, Free Run
Auto White Balance (AWB)
Available (BT.709/Wide DR)
White Balance Presets
AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B
Available, 8 total functions
Available; Total of 33 displays including audio level and remaining battery can be turned on and off
17; Can be assigned functions as desired
Available; Color bars compliant with SMPTE, ARIB
(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
Minimum Subject Illumination
59.94 Hz Mode: 0.3 Lux
(f/1.2 lens, 24dB, PF29.27, 1/30s)50.00 Hz Mode: 0.25 Lux
(f/1.2 lens, 24dB, PF25.00, 1/25s)
59.94 Hz mode: F9
[1920x1080/59.94i, ISO 640 (0dB), 2000 lux, reflectance ratio of 89.9%]50.00 Hz mode: F10
[1920x1080/50.00i, ISO 640 (0dB), 2000 lux, reflectance ratio of 89.9%]
59.94 Hz Mode: 54dB (Typical)
[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]50.00 Hz Mode: 54dB (Typical)
[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
Viewing Angle Adjustment
Diopter Adjustment Range
+2.0 to -5.5
Brightness, Contrast, Color, Sharpness, and Backlight
Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body
Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Time code In/Out
Yes; through HDMI (Output Only)
Yes (Type A); Video and Audio Output
Audio Input Terminal
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
Available; 3.5mm stereo mini-jack
Available, 2.5mm stereo mini jack
Battery Pack: 7.4 V
DC in: 8.4V
BP-9 Series (BP-955 Supplied)
Compact Power Adapter
CA-940 N (Supplied)
Tripod Adapter Base
Zoom Remote Controller
Camera Body plus Thumb Rest (without eyecup):
Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
Camera Body plus Grip plus Eyecup:
Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
Camera Body plus Thumb Rest plus Handle Unit & Eyecup:
Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)
Main Unit Weight
Approx. 2.5 lbs (1125g)
Temperature and Humidity
Performance requirements: 0°C to 40°C, 85% (relative humidity)
Operating requirements: -5°C to 45°C, 60% (relative humidity)
German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese
Time and Date
Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.
World Clock support - UTC time setting: Setting range from -12:00 to +14:00
Compatible Supplies & Accessories
Canon offers a wide range of compatible supplies and accessories that can enhance your user experience with you EOS C100 Mark II that you can purchase direct. Scroll down to easily select items to add to your shopping cart for a faster, easier checkout. Visit the Canon Online Store
Battery Pack 955
Battery Pack 975
CA-930 Power Adapter
CA-940 Compact Power Adapter
Power supply: 100-240 V AC, 50/60 Hz, Rated Output/Consumption 8.4 V DC, 4.8 A / 83 VA (100V) - 107 VA (240 V),Operation Temperature: 0 - 40 ?C (32 - 104 ?F),Dimensions (W x D x H): Approx. 103 x 51 x 139 mm (4.1 x 2.0 x 5.5 in.),Weight: 395 g (13.9 oz.)
GPS Receiver GP-E2
Rugged and lightweight design Records location as EXIF information to images when shooting Can act as a stand-alone GPS logger Camera time can be synched by the built-in atomic clock
Remote Controller RC-V100
The RC-V100 Remote Controller provides full access to all important user functions, in addition to basic controls. Learn More
The RC-V100 Remote Controller provides full access to all important user functions, in addition to basic controls. Learn More
Tripod Adapter Base
Tripod Adapter TA-100
TA-100 Tripod Adapter allows you to quickly mount/dismount the XL2 on or from a tripod.
Video Light VL-10Li II
A small, light and powerful video light for indoor and outdoor use. Rated at 10 watts, it accepts a Lithium-Ion battery pack for power and attaches to the XH G1 / XH A1's accessory shoe.
Articles from the Canon Digital Learning Center
What is most significant about the Canon EOS C100 Mark II Digital Video Camera is that most of the new or improved features compared to its predecessor were added in direct response to feedback from users.
The EOS C100 Mark II is the first camera in the Cinema EOS product line to integrate advanced network functionality and give you the ability to upload video files to an FTP (file transfer protocol) server or Google Drive (Google’s simple and user-friendly cloud storage service), directly from the camera.
Item Code: 0297C002
This package includes the EOS C100 Mark II with the EF-S 18-135mm f/3.5-5.6 IS STM lens.
Item Code: 0298C002
This package includes the EOS C100 Mark II with the EF 24-105mm f/4L IS USM lens.
Item Code: 0202C013
This package includes the EOS C100 Mark II with the Atomos Ninja2 Recorder.
Item Code: 0202C010
This package includes the EOS C100 Mark II with the with the EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L II USM and the EF 70-200mm f/2.8L IS II USM lens.
Item Code: 0202C030
This package includes the EOS C100 Mark II with the EF-S 17-55mm f/2.8 IS USM lens.
Item Code: 0202C029
This package includes the EOS C100 Mark II Body with Dual Pixel CMOS AF Feature Upgrade, Grip, Camera Cover, Handle Unit, Thumb rest, Battery Pack BP-955, Compact Power Adapter CA-930, DC Cable for CA-930, Tripod Adapter Base TB-1, WFT Attachment, Measuring Hook, AC Cable x2, Shoulder Strap SS-1200, Data Import Utility Disk plus Sennheiser AVX-ME2 LAV Wireless Microphone, SKB Custom Case, and DJI Ronin-M Stabilizer.
The C100 Mark II is being updated with functionality recently added to the C300 Mark II, a feature called Shutter Angle Priority. It’s a change in the way the shutter responds when “Angle Mode” is selected. This particular update comes in direct response to requests from many Cinema EOS shooters that asked for changes to the shutter Angle are a manual adjustment. With this firmware update, when the shutter Angle is selected, it won’t change again until the operator changes it, even if the frame rate is changed. This only affects shutter Angle and other shutter modes remain unchanged.
Shutter Angle Priority only affects shutter settings in Angle mode. Once installed, this firmware will maintain a constant shutter angle regardless of frame rate changes.
Example illustrating how Shutter Angle Priority works with the C100 Mark II
Peripheral illumination data is also being added to support the recent introduction of the EF24-105mm F/4L IS II USM lens.
The new EOS C100 Mark II, which was designed with input provided by users, include new and advanced features like the OLED display panel, an adjustable EVF and more.
The new EOS C100 Mark II, which was designed with input provided by users, include new and advanced features like the Dual Pixel CMOS AF, multiple recording formats and more.
In our new Quick Tips series, you get to watch and learn right from Canon Digital Learning Center experts! Each video will feature a Canon Technical Advisor offering a helpful imaging tip.
Learn about the pre-production process for a science-fiction short film created with the EOS C100 Mark II.
Go behind the scenes with "Film Riot's" Ryan Connolly and Cinematographer Ryan Booth as they create a short film with the EOS C100 Mark II.
Camera movements are another way to contribute to storytelling. See which tools "Film Riot" used to move or stabilize the EOS C100 Mark II.
Learn about the process for setting up lights, in conjunction with EOS C100 Mark II and monitor set-up, and see how daylight and indoor light can be created.
Join "Film Riot" and learn how they accomplish visual effects in-camera with the EOS C100 Mark II, with lights, by planning it into their script, mixing CGI with filmed scenes, and more.
We sit down with Brian Morrow, Creative Director of Shark Pig to discuss the EOS C100 Mark II. He discusses how features such as reliable auto focus, small footprint, pro res out, two card slots, and being able to control the camera remotely.
Orphan Cars is a short-form documentary shot on EOS C100 Mark II cameras. It spotlights a husband and wife antique car restoration team and their prized 1953 Kaiser Carolina, as they prepare for a car show in South Beach.
Director of Photography Chapin Hall gives a behind the scenes look at the making of Orphan Cars, a short-form documentary about a husband and wife team of car restorers and their 1953 Kaiser Carolina.
† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.