CANON U.S.A.,Inc. MAKES NO GUARANTEES OF ANY KIND WITH REGARD TO ANY PROGRAMS, FILES, DRIVERS OR ANY OTHER MATERIALS CONTAINED ON OR DOWNLOADED FROM THIS, OR ANY OTHER, CANON SOFTWARE SITE. ALL SUCH PROGRAMS, FILES, DRIVERS AND OTHER MATERIALS ARE SUPPLIED "AS IS." CANON DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, WITHOUT LIMITATION, IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT.
CANON U.S.A.,Inc. SHALL NOT BE HELD LIABLE FOR ERRORS CONTAINED HEREIN, OR FOR LOST PROFITS, LOST OPPORTUNITIES, CONSEQUENTIAL OR INCIDENTAL DAMAGES INCURRED AS A RESULT OF ACTING ON INFORMATION, OR THE OPERATION OF ANY SOFTWARE, INCLUDED IN THIS SOFTWARE SITE.
I have read and understand the information above, and wish to download the designated software.
UHD DIGISUPER 90
4K UHD Field Box Lenses
Canon Store: $
As a broadcast lens that supports 2/3" 4K cameras, the 4K UHD-DIGISUPER 90 (UJ90x9B) broadcast lens features the world's highest zoom ratio (90x)* and world's longest focal length (810mm)*. The lens is capable of maintaining full 4K overall optical image quality over that the full 9mm to 810mm range, offering superb image framing options for all forms of outside broadcast television productions. The extensive framing latitude can dramatically capture all possible on-site sensations - from the emotion of an entire crowded stadium to other emotions expressed in the close-ups of facial expressions of individual players on the field.
* Among compatible 2/3-inch 4K broadcast lenses available as of September 8th, 2015.
Object Image Format
Focal Length Range
Focal Length Range with Extender
Angular Field of View
0.68° × 0.38° at 810mm
Angular Field of View with Extender
0.34° × 0.19° at 1620mm (with 2x Extender)
Maximum Relative Aperture (F-Number)
1:4.0 at 810mm
Maximum Relative Aperture (F-Number) with Extender
1:8.0 at 1620mm (with 2x Extender)
MOD From Front of Lens
Scene Object Dimensions at MOD
3.3 × 1.9cm at 810mm
Scene Object Dimensions at MOD with Extender
1.7 × 1.0cm at 1620mm (with 2x Extender)
This paper is intended to provide a background to the emergence of 2/3-inch lens-camera systems for 4K UHD production and the optical performance expectations of associated 4K lenses. The paper will review Canon’s involvement in the development of those lenses and will describe our initial 4K UHD lens family and the associated design strategies to achieve this impressive level of optical performance. The paper will explain the unprecedented strategy of introducing two categories within this new 4K UHD lens family – namely, 4K and 4K PREMIUM. The distinct performance difference between the two reflects Canon’s recognition that different 4K program genres will require different levels of overall cost / performance.
It was probably inevitable that broadcasters would begin to explore the possibilities of 4K UHD for the globally popular world of outside broadcast sports coverage; and indeed, recent years have seen a great deal of related experimental projects. The 4K UHD lens issue soon surfaced as the limitations of presently available Super 35mm zoom lenses quickly became apparent.
† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.