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CN-E24mm T1.5 L F

Prime

Item Code: 6569B001AA

Tech Explained: Learn The Science Behind 4K Optics.

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Features

The CN-E24mm T1.5 L F Cinema Prime Lens is designed to provide outstanding optical performance and is capable of full 4K-Resolution performance. Whether you're shooting in HD with a Canon EOS DSLR camera or in 4K using an EOS C700 Digital Cinema Camera, the CN-E24mm T1.5 L F will help you to create a cinematic masterpiece by providing superb image quality, contrast and color fidelity.



High Resolution and Warm Colors

The lens features a large diameter aspheric lens and anomalous dispersion glass, working to deliver high contrast and sharp imaging from the center of the image to the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help to softly capture people's facial expressions and enable better depiction of textures captured through the lens.



Fast T Number

Operating at T1.5 helps the lens achieve a softer and greater bokeh, while allowing users to shoot brighter in low-light settings.



Unified Warm Color Balance within Canon Cinema Lenses

Canon's color science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The CN-E24mm T1.5 L F lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look color characteristics - making it easier to maintain consistent color when multiple lenses are used.


Minimized Focus Breathing

The lens has been designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while focus pulling, where changes in the angle of view due to focus breathing could become apparent to the viewer.


Images and effects are simulated.

The CN-E24mm T1.5 L F Cinema Prime Lens covers 35mm full-frame sensor and features a genuine Canon EF mount and works with all Cinema EOS camera models, including full-frame models such as our new EOS C700 FF digital cinema camera, as well as other top-quality full frame cameras. With a Super 35mm camera, the lens can be used as an approximately 29.2mm equivalent lens (35mm film equivalent) for use in a wide range of shooting situations, helping users produce premium-quality images.

The EF mount has electronic contacts on both the lens and camera sides that allow direct communication between each device. This communication allows lens metadata including T-numbers to be displayed in the viewfinder. Both the T-number and the focus position are recorded in the video file.


Image and effect are simulated

The CN-E24mm T1.5 L F Cinema Prime Lens features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with the deeper depth of field that a super wide angle lens can offer, broadening the range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.



Designed to meet the needs of professional cinematographers, the CN-E24mm T1.5 L F Cinema Prime Lens features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings (making lens switching quick and convenient) across our entire cinema prime lens series. The control rings work to maintain the right amount of resistance and operating torque in order to help provide the camera operator or assistant with a consistent feel and predictable lens operation.


Image shown is of the CN-20mm T1.5 L F.

105mm Front Lens Threading for Screw on Filters

To allow for additional ease of use and flexibility, the lens features threading on the front of the lens to accommodate 105mm screw on filters. This feature allows the camera operator to add filters over the lens without the need for a matte box to be attached to the camera system helping to provide flexibility in filter choice as well as the ability to shoot in a more streamlined format.


Dust and Water Resistant

The lens is equipped with gaskets and seals for dust and water resistant operation, helping to make them ready for shooting, even in severe conditions.


Image shown is of the CN-E50mm T1.3 L F.

Clearly Visible Distance Indicators

Distance indicators are displayed on both sides of the lens. To improve visibility in nighttime and dark area shooting, indicator markings with phosphorescent paint have been adopted for the front barrel (for right-side viewing).


Image shown is of the CN-E50mm T1.3 L F.

The CN-E24mm T1.5 L F Cinema Prime Lens works seamlessly with our Cinema EOS cameras, allowing you to take full advantage of the camera's features and functionality.



Peripheral Illumination Correction

This image correction feature can be turned on or off based on registered lens information.



Lens Information Display / Recording

Lens information can be displayed on the viewfinder of the camera, and metadata such as lens name and position can be recorded in the image.



Dual Pixel Focus Guide

Lens position data and Dual Pixel CMOS AF can combine to display the focus position on the user interface.


Images and effects are simulated

Specifications

Cinema Prime Lens CN-E14mm T3.1 L F CN-20mm T1.5 L F CN-E24mm T1.5 L F CN-E35mm T1.5 L F CN-E50mm T1.3 L F CN-E85mm T1.3 L F CN-E135mm T2.2 L F
Mount EF Mount EF Mount EF Mount EF Mount EF Mount EF Mount EF Mount
Focal Length 14mm 20mm 24mm 35mm 50mm 85mm 135mm
Max. Relative Aperture
(T-Number)
T3.1 T1.5 T1.5 T1.5 T1.3 T1.3 T2.2
Iris Blades 11 11 11 11 11 11 11
Angle of View
1.5:1, 36x24mm
104.3° × 81.2° 84.0° × 61.9° 73.7° x 53.1° 54.4° × 37.8° 39.6° × 27.0° 23.9° × 16.1° 15.2° × 10.2°
Angle of View
1.78:1, 24.6x13.8mm
82.6° × 52.5° 63.2° × 38.1° 54.3° × 32.1° 38.7° × 22.3° 27.6° × 15.7° 16.5° × 9.3° 10.4° × 5.9°
M.O.D.
(Minimum Object Distance)
0.20m / 8in. 0.3m / 12in. 0.30m / 12in. 0.30m / 12in. 0.45m / 18in. 0.95m / 3ft. 2in. 1.0m / 3ft. 3in.
Object Dimensions at M.O.D
1.5:1, 36x24mm
24.8 × 16.5cm 33.8 × 22.5cm 28.8 × 19.2cm 20.1 x 13.4cm 24.9 x 16.6cm 34.3 x 22.9cm 21.1 x 14.1cm
Object Dimensions at M.O.D
1.78:1, 24.6x13.8mm
16.9 × 9.5cm 23.1 × 13.0cm 19.7 x 11.0cm 13.7 x 7.7cm 17.0 x 9.5cm 23.4 x 13.1cm 14.4 x 8.1cm
Front Diameter 114mm 114mm 114mm 114mm 114mm 114mm 114mm
Filter Diameter N/A 105mm 105mm 105mm 105mm 105mm 105mm
Approx. Size (WxHxL) 4.66 x 4.66 x 3.70 in.
(118.4 × 118.4 × 94.0 mm)
4.66 x 4.66 x 4.0 in.
(118.4 × 118.4 × 101.5 mm)
4.66 x 4.66 x 4.0 in.
(118.4 × 118.4 × 101.5 mm)
4.66 x 4.66 x 4.0 in.
(118.4 × 118.4 × 101.5 mm)
4.66 x 4.66 x 4.0 in.
(118.4 × 118.4 × 101.5 mm)
4.66 x 4.66 x 4.0 in.
(118.4 × 118.4 × 101.5 mm)
4.66 x 4.66 x 4.55 in.
(118.4 × 118.4 × 115.6mm)
Approx. Weight 2.65 lbs
(1.2kg)
2.43 lbs
(1.2kg)
2.65 lbs
(1.2kg)
2.43 lbs
(1.1kg)
2.43 lbs
(1.1kg)
2.87 lbs
(1.3kg)
3.09 lbs
(1.4kg)

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Manuals

Operation Manual
Operation Manual for the CN-E24mm T1.5 L F Digital Cinema Lens

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Brochures

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Resources

Videos

Canon Lenses on the Set of Homeland


David Klein, ASC and Dominik Mainl discuss how Canon's Cinema Prime and Cinema Zoom Lenses provide the ideal look for the television drama Homeland.

Introducing the Canon CN-E20mm T1.5 L F Cinema Prime Lens


The CN-E20mm T1.5 L F lens joins Canon’s Cinema Prime Lens family and offers a 20mm ultra-wide focal length option between the 14mm and 24mm. The Canon Cinema Prime Lens line also features a 35mm, a 50mm, an 85mm, and a 135mm, delivering the versatility needed for a wide range of creative shooting.

Canon Cinema EOS Lenses and Cameras Help Steer ‘The Drive’


The Pac-12 Network’s series The Drive has sought to chronicle the on- and off-field stories of the 12 college football teams that make up The Pac-12 Conference. For Matt Wilcox and Taylor Kavanaugh of Blue Ox Films, the production team behind The Drive, the project is close to home, as Kavanaugh played Pac-12 football.

The Science Behind 4K Optics


Real 4K technology goes far beyond the label. Canon 4K optics are born from decades of research and design, creating brilliant, vivid, rich images. And it all begins with the lens.



White Papers

What Constitutes a High Performance 4K Lens?

07/21/15
10.56 MB

Personality of the Canon Cinema EOS Lens: Design Strategies

01/01/14
6.30 MB

Personality of the Canon Cinema EOS Lens: Image Sharpness

01/01/14
6.61 MB

Personality of the Canon Cinema EOS Lens: Color Reproduction

01/01/14
6.69 MB

Personality of the Canon Cinema EOS Lens: Contrast

01/01/14
6.25 MB

The Promise of 4K

01/01/13
9.84 MB

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† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.

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