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EOS C500 Mark II

As low as $10,999.00
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  • 5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes
  • User Changeable Lens Mounts
  • DIGIC DV 7 Image Processor
  • Canon Cinema RAW Light and XF-AVC Recording
  • Compatibility with EF and PL Lenses*
  • Electronic Image Stabilization
  • Modular Design with four available Expansion Units
  • Canon Log 2 and 3 Support
  • Meets Netflix capture requirements and has been approved for use on Netflix productions
  • Displays digital tele-converter icon when activated.

In the box

Overview

Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom.

The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.

The Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system. 

Features

5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes

The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native cinema gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions.

The Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter.

5.9K Full-frame CMOS Sensor

Sensor Mode Selection

Sensor Mode selection has been simplified to just the touch of a button. As a time saver, toggling between Full-Frame, Super 35 or Super 16 crop modes can be designated to one of the camera's assignable buttons. 

Sensor Mode

User Changeable Lens Mounts

User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.

The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.

*Dependent on the mount the user has in place

EF Cinema Lock Mount Kit and PL Mount Kit

DIGIC DV 7 Image Processor powerfully processes high-resolution image data

The EOS C500 Mark II uses a newly developed DIGIC DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Cinema Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing.

DIGIC DV 7 Logo

Enhanced Clear Scan Mode

Clear Scan shutter mode helps reduce or virtually eliminate the flickering caused by some LED walls.

clearscan

Canon Cinema RAW Light and XF-AVC Recording

Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.

C500 Multiple Recording Options
C500 Motion Recording 60fps 120 fps
CF Express Logo

When recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode, frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two buttons S&F(Slow and Fast Motion) and S&F FPS (Slow and Fast Motion – Frames per Second) have been added to gives quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.

60 fps 5.9K RAW 120 fps 2K(Crop) image

To accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.

CF Express Logo with CFexpress card slot exmaple image

Cinema RAW Light HQ, ST and LT Recording Formats

Canon has added three Cinema RAW Light recording modes, all with 12-bit recording capabilities, in addition to the existing RAW Light format, giving the camera four different RAW recording options to choose from.


Cinema RAW Light HQ, ST, LTi

Resolution Recording Format 59.94Hz 24.00Hz
59.94P 29.97P 23.98P 24.00P
5952 x 3140 RAW HQ - 2.12 Gbps 1.7 Gbps 1.7 Gbps
RAW ST 2.09 Gbps 1.05 Gbps 835 Mbps 836 Mbps
RAW LT 1.36 Gbps 679 Mbps 543 Mbps 544 Mbps
4192 x 3140 (4:3) RAW HQ - 1.5 Gbps 1.2 Gbps 1.2 Gbps
RAW ST 1.48 Gbps 737 Mbps 590 Mbps 590 Mbps
RAW LT 958 Mbps 479 Mbps 383 Mbps 384 Mbps
3768 x 3140 (6:5) RAW HQ - 1.35 Gbps 1.08 Gbps 1.08 Gbps
RAW ST 1.33 Gbps 663 Mbps 530 Mbps 531 Mbps
RAW LT 861 Mbps 431 Mbps 345 Mbps 345 Mbps
4096 x 2160 RAW HQ 2.02 Gbps 1.01 Gbps 807 Mbps 807 Mbps
RAW ST 993 Mbps 497 Mbps 397 Mbps 398 Mbps
RAW LT 645 Mbps 323 Mbps 258 Mbps 259 Mbps
2048 x 1080 RAW HQ 511 Mbps 256 Mbps 205 Mbps 205 Mbps
RAW ST 252 Mbps 126 Mbps 101 Mbps 101 Mbps
RAW LT 164 Mbps 82 Mbps 66 Mbps 66 Mbps


All RAW Light HQ, ST and LT recording formats can take advantage of the C500 Mark II’s 4:3 and 6:5 sensor crop modes, making the formats a great option for a variety of Anamorphic lens options.

Proxy Recording

Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for the initial file sharing and edits.

Canon’s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.

Proxy files can be named using the recommended “_Proxy” suffix, which enhances compatibility with non-linear editing systems.

Compatibility with EF and PL Lenses*

With optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own.

PL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project.

Using Canon’s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.

C500 Mount

Digital Tele-Converter

The digital tele-converter adds focal length versatility to the EOS C500 Mark II. The feature allows a user to change the angle of view with image magnification options of 1.5x, 2x, 2.5x or 3x. 

The December 2024 firmware update adds an indicator to the on-screen display to indicate that the tele-converter feature is activated.

Digital Tele-Converter

The amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2/3” lensing options to be used with the camera.

B4 Mount Adapter MO-4E/MO 4P image

Anamorphic Lens Support

The EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.

C500 Mark 2 Anamorphic Lens Support

Electronic Image Stabilization

The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic.

Modular Design with three available Expansion Units allows a high level of connectivity and interoperability

A new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.

EOS C500 Mark 2 System

EVF-V50 OLED Electronic Viewfinder

The EVF-V50 OLED electronic viewfinder is a tilting 0.46” approx. 1.77 million dot OLED EVF that offers outstanding visibility for single-operator applications, such as documentaries and outdoor interviews.

OLED Electronic Viewfinder EVF-V50

Expansion Unit 1 – EU-V1

This unit extends connectivity that benefits both remote operation and live uses of the EOS C500 Mark II. This expansion adds genlock/sync out, remote B (RS422) and Ethernet ports ideal for multi-camera, streaming and live television applications.

Expansion Unit 1 EU-V1

Expansion Unit 2 – EU-V2

This unit converts the EOS C500 Mark II from a compact powerhouse to a full production camera system ready for anything. EU-V2 adds two additional XLR audio inputs, Lens port, 24-volt DC out, and D-Tap power, in addition to Genlock, sync out, Remote B (422) and Ethernet port. It also allows the camera to be powered using industry standard v-lock batteries.

Expansion Unit 2 – EU-V2

Expansion Unit 3 - EU-V3

Designed for live event video production, the EU-V3 increases the operational capability of the C500 Mark II. By attaching the EU-V3, the camera gains additional input/output terminals necessary for live video production. Specialized functions for live broadcasting include a “tally” function that indicates which camera the live video is being captured with, and a “return” function that notifies operators which camera is currently “live". In addition, the unit supports the “focus position guide” function that enables operators to register a desired focus position and also display the current focus position on-screen. 

EU-V3

4.3” LCD Touch screen Monitor LM-V2

The new LM-V2 4.3” LCD Monitor is an easy to view touch panel with approx. 2.76 million dots. The monitor easily attaches to the EOS C500 Mark II using included accessories and can be adjusted to different viewing positions. In addition to image framing and visual confirmation of camera settings, attached controllers make it easy to access and change camera settings.

With the December 2024 firmware update, the EOS C500 Mark II will add the option to output a peripheral border display from its. 12G-SDI and HDMI interfaces.

C500 Mark 2 LCD Monitor

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

The Cinema EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology. For DPAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DPAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DPAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DPAF provides through the guide interface.

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

Focus Guide

DPAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subjects current focus and direction to move in order achieve focus. When sharp focus is achieved the indicator turns green as a clear indication.

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

Adjustable Focus Guide Size

The camera's Focus Guide feature offers two sizes - Normal and Large, which is approximately 2x bigger than the Normal option.

Focus Guide Size

Canon Log 2 and 3 Support

The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.

Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.

For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.

Canon Log

4 Channel Audio Recording

With Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.

4 Channel Audio Recording

Support for Custom User LUTs

Users can upload and apply custom LUTs to the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.

Focus Position Meter

The focus position meter allows you to select up to three separate focus points in your shot. Each selected point is identified by either a red, green, or blue mark on the viewfinder. When the selected point is in focus, the border of the viewfinder lights up in that color to easily let you know that you are in focus. This feature can only be used with lenses that support AF functionality. 

Focus Meter

Waveform Monitor / Vectorscope

Users have the option to double the size of the on-screen waveform monitor and vectorscope.  The ability to adjust opacity (transparency) of these on-screen tools makes it easier to see and adjust exposure while shooting. The vectorscope displays the custom picture color space along with the name for each color.

 

clearscan

Playback Marker

The camera screen displays a playback marker when in Media Mode. 

Playback Marker

Remote Control Support

The EOS C500 Mark II body has a remote A terminal (LANC) on the body and supports remote B (RS422) in expansion units EU-V1 and EU-V2, and EU-V3.  Through these connectors, the EOS C500 Mark II can be completely remote operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.

A second option for remote control is Canon's IP-based XC Protocol. XC Protocol was added to help maximize operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 or RC-IP100 remote control panels, or via the Remote Control Camera Application (RCCA) over an Ethernet Network connection. Additionally, XC Protocol-enabled third-party controllers (RCP) can control the camera. 

Canon Multi-Camera Control App

A wireless smartphone remote control option has been added with the release of the Canon Multi-Camera Control App for iPhone or iPad*. 

The Canon Multi Camera Control App provides the ability to control multiple cameras wirelessly from an iPhone or iPad via Wi-Fi**. The free app empowers you to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, and Custom picture control all while viewing the image from the camera.

* Available for download on the Apple App Store

** Wi-Fi connectivity requires the WFT-E9 Wireless File Transmitter.

Canon Multi-Camera Control App

Remote Camera Control Application

The Remote Camera Control Application is an application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time - achieving a "multi-camera operation".

At a video production or broadcasting site, an operator can select a camera from the videos displayed on the "Connected Camera List", within the application and operate it from the "Camera Control Area" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.

remote camera control screen

Technical Specifications

Image Sensing Device

Lens Mount

Exposure

Focus Control / Assist

LCD Monitor

White Balance

System Frequency Selection

Recording Media

Compression Formats

XF-AVC(CFexpress™ cards)

XF-AVC Proxy (SD card)

Cinema Raw Light (CFexpress™ cards)

Operation

Other Features

Playback

Terminal

Power

Image Processing Platform

Related Accessories

IP Streaming

Wi-Fi® Specifications

Weight and Dimensions (body only)

Informational Documents

File Name

Cinema EOS Comparison Sheet

Date

03.24.23

File Size

5.3 MB

File Name

Cinema EOS Live Setup Guide ver 1.1

Date

11.11.22

File Size

12.6 MB

Videos

About the Camera and Films

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Untitle Video

Learn more about the free firmware updates for our Cinema EOS cameras and XF605 camcorder. The firmware also includes an update to the Canon Multi-camera Control app, which will allow you to control up to four compatible cameras from a single iPad.

Untitle Video

New free firmware updates for Cinema EOS cameras and XA camcorders bring a host of features! In this video, Canon Sr. Specialist Paul McAniff will walk you through the bevy of updates to the EOS C500 Mark II, EOS C300 Mark III, EOS C70, and EOS R5 C cameras, as well as the XA75, XA70, XA65, XA60, and Vixia HF G70 camcorders.

Untitle Video

Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full-frame cinema camera that’s built for creative freedom.

Untitle Video

When telling the tale of one of the largest frauds in history, cinematographer Jeff Hutchens wanted a full frame camera that would deliver the imagery to match the scope of the story. In this video, Hutchens discusses his use of the EOS C500 Mark II camera for the Netflix documentary Madoff: The Monster of Wall Street.

Untitle Video

Rubidium Wu is a filmmaker, educator, and director who speaks about his experience shooting on the Canon EOS C500 Mark II cinema camera and Sumire lenses to create the film, “The Devil’s Fortune”. Watch to learn why he chooses Canon for his creative outlets and how they help him achieve his vision.

Untitle Video

BC Live Productions is a production company and rental house that specializes in multi-camera broadcast and live-streaming for brands and content creators. Learn how Canon Professional Products including the CR-N500 PTZ camera, Cinema EOS cameras and lenses, XF705 Camcorders, and the RC-IP100 Controller enable their workflows for live events.

Untitle Video

The short film 'Autumn Dream' aka The Beekeeper creates a painterly universe of childhood imagination where three kids dressed as a beekeeper, ladybug, and a bee climb a set of stairs to an autumn world of frolic and fun. Shot on the Canon EOS C500 Mark II combined with Canon's Sumire Lens.

Untitle Video

In the documentary series Legendary, director Rik Reinholdtsen captures the beauty and brilliance of the ballroom community using an array of Canon cinema products. In this video, Rik details how the EOS C500 Mark II, EOS C700 FF, Sumire Prime lenses, and CINE-SERVO 17-120mm lens enabled him to get the look he wanted.

Untitle Video

Kyler and Kody McCormick from The Outbound Life used the Full Frame EOS C500 Mark II, EOS C200 and Canon Cinema Prime lenses to create a commercial for Good Sam. Check out the making of and see how the team utilized these Canon cameras and lenses to produce great content with “room for surprises.”

Camera Tech Tips 

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Untitle Video

Learn about the March 2024 firmware upgrade to the C500 Mark II in this video.

Untitle Video

Hear what some of our customers have to say about the many ways in which the service and support provided by Canon has validated their purchasing decision.

Untitle Video

In this video, learn about some of the key buttons and menu functions of the EOS C300 Mark III.

Untitle Video

The modular bodies of the EOS C300 Mark III and C500 Mark II Cinema Cameras enable all kinds of configurations for virtually any production environment. These cameras can be built up for stationary use in a studio or stripped down to the bare essentials for use in the field.

Untitle Video

Join Canon Pro Market Specialist David Doko as he explains what Look Up Tables (LUTs) are available in the EOS C500 Mark II and EOS C300 Mark III. You can also upload custom LUTs into the camera that can be viewed through the SDI, HDMI, EVF and LCD terminals.

Untitle Video

Senior Professional Market Specialist Jung-Jin Ahn shares tips for swapping lens mounts on the Canon EOS C300 Mark III and EOS C500 Mark II.

Untitle Video

Senior Professional Market Specialist Jung-Jin Ahn shares tips for using the EOS C500 Mark II and EOS C300 Mark III Expansion Unit accessories.

Untitle Video

The MultiDyne SilverBack-VB fiber optic camera adapter was designed to turn the EOS C500 Mark II and EOS C300 Mark III into SMPTE studio cameras for live multi-camera production. This enables these cinema cameras to be used in live cinematic multi-camera workflows.

Untitle Video

Professional Market Specialist Sophia Iguchi shares tips for using Aspect Markers when using the EOC C500 Mark II.

Product Disclaimer

* Dependent on the mount the user has in place.
i As recorded on CFexpress card
ii As recorded on CFexpress card
iii As recorded on CFexpress card