One Night, six stories. The Hold To Your Best Self series follows six students on their senior prom night.
A cinematic journey around the United States follows migratory beekeepers and their truckloads of honey bees.
Director Mark Vins details how Canon's XF705 Camcorder has been the ideal product for Brave Wilderness, providing robust features ...
Director/Co-Cinematographer Ross Kauffmann and Co-Cinematographer Matt Porwoll take us behind the scenes.
Filmmaker Rudy Valdez discusses his use of Canon’s Cinema EOS cameras and lenses in the production of "The Sentence".
Director Ryan Connolly of Film Riot used Canon EOS C200 digital cinema cameras to shoot his short film, BALLiSTIC. This behind-the-scenes film ...
In the documentary series Inside The FBI, cinematographer Daniel B. Levin profiles the men and women of the New York office.
In the narrative series The Adulterers, cinematographers Darin Quan and Zack Schamberg take a powerful look at relationships by exploring ...
For Robin Williams: Come Inside My Mind and OJ: Made in America, Nick used Canon Cinema EOS Cameras and Cinema Prime lenses to capture ...
Documentary filmmaker Harun Mehmedinovic discusses his use of Canon Cinema EOS and DSLR cameras to capture stunning nature footage.
Filmmaker Jimmy Chin details how the power, versatility, and imaging excellence of his gear enabled him to capture one of the ...
Director of Photography Claudia Raschke discusses her use of Canon Cinema Prime lenses and the EOS C300 Mark II Cinema.
In the documentary This is Home, cinematographer Laela Kilbourn tells the story of Syrian refugees adjusting to life in Baltimore.
In the documentary series America Divided, cinematographer Lucian Read tells the story of inequality, injustice and inequity in this country.
In the documentary series The Trade, cinematographer Matt Porwoll takes a powerful look at all sides of the drug addiction epidemic.
Based on a best-selling book, this five-part true crime docu-series investigates the unsolved murders of 8 women in and around Jennings, Louisiana.
When filming narrative and promotional pieces for sports broadcasts, freelance cinematographer Aaron Mendez relies on Canon.
Director of Photography Andrew Shulkind discusses how Canon cameras and lenses played a critical.
Learn why Matt Wilcox and Taylor Kavanaugh of Blue Ox Films, the production team behind "The Drive," decided on the cinematic look.
David Klein, ASC and Dominik Mainl discuss how Canon's Cinema Prime and Cinema Zoom Lenses provide the ideal look.
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