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Highly Versatility With Outstanding Expandability
The EOS C200 and EOS C200B Digital Cinema Cameras are fully compatible with Canon EF lenses, and a wide range of accessories. Remote control functionality and other connectivity options allow users a broad range of options.
Fully Compatible with New and Existing
CANON EF-Mount Lenses
A major aspect of the creative filmmaking potential of the EOS C200 and EOS C200B Digital Cinema Cameras are its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon’s 4K CN-E Cinema prime and zoom lenses, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 and EOS C200B provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.



For those users who are accustomed to seeing the T-value displayed when using EF lenses for digital cinema, it is possible to switch the camera to display either the F-value or the T-value. This is important for those that shoot on movie sets and prefer to know how much light is passing through the opening of the lens and actually making it to the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.

Certain images and effects are simulated.
Built-in Electronic Viewfinder (EOS C200 only)
The EOS C200 Digital Cinema Camera includes a built-in 0.46 inch electronic viewfinder that displays a full array of menu options for controlling the camera’s settings, and supports HDR viewing.


New Accessories
The EOS C200 and EOS C200B Digital Cinema Cameras are compatible with a wide range of accessories, including the new Touch Panel LCD Monitor (LM-V1), Camera Grip (GR-V1) and Handle Unit (HDU-2). These accessories are included with the EOS C200.


Touch Panel LCD Monitor (LM-V1)
The fully adjustable and detachable, 1.23 million dot, 4-inch Touch Screen LCD Monitor works with Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.

The included LA-V1 LCD hinge attachment unit offers flexibility by allowing rotation of the LCD Touch Panel Monitor.
Camera Grip (GR-V1)
The new Rosette style camera grip makes rotating and removing the grip simpler, and features an improved ergonomic design to help steady and focus the camera.

Grip attachment ring prevents plug from disconnecting
Handle Unit (HDU-2)
This handle unit can be attached to the camera body without tools, and features a newly-formed handle screw that enables fast and easy attachment. The unit can also be used to mount a variety of optional peripherals.

Remote Control Functions
Some applications require the camera to be located a distance away from the operator. The EOS C200 and EOS C200B Digital Cinema Cameras can be remotely operated in a variety of ways.
RC-V100 Remote Support
Camera settings can be accessed and controlled from a distance using Canon’s RC-V100 Remote Controller. The RC-V100 plugs into the EOS C200 and EOS C200B through the remote terminal on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance.

Focusing, aperture and zooming operations can also be performed remotely using the Link-up feature with Canon CINE-SERVO lenses.
Updated Browser Remote Functions Including Focus Support
Some applications require the camera to be located a distance away from the operator, such as on a crane or jib. The ability to perform remote operation of camera functions in these situations can be critical. Multiple camera operations can be performed on the EOS C200 and EOS C200B from a connected device (such as a pc, tablet or iPhone) by accessing the Browser Remote with a general-purpose browser.

A wide range of auto focus functions can also be controlled using the Browser Remote, including the ability to move the focus area with just a touch when using a tablet or iPhone.
Main AF functions of Browser Remote

Manual focus can also be controlled from the Browser Remote, helping to ensure accurate focus from remote locations where manual focusing is not possible.
A live feed from the camera can be displayed simultaneously from multiple connected devices accessing the Browser Remote. One device can be used to check focus, while the client or director can monitor the live action from another device.

Wide Range of Connectivity Options
The EOS C200 and EOS C200B Digital Cinema Cameras have a wide range of terminals that can be useful in variety of production shooting and display situations.

Output Signal Configurations (During Shooting)
Recording signal configuration | Output signal configuration | |||||
---|---|---|---|---|---|---|
Recording signal configuration | ||||||
Recording Type | Frame rate | |||||
RAW |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
|||||
Output signal configuration | ||||||
Recording Type | Frame rate | Resolution | SDI terminal | HDMI OUT terminal | ||
SDI output | HDMI maximum resolution | |||||
2048×1080 / 1920×1080 |
1920×1080 | 3840×2160 | 1920×1080 | |||
RAW |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
4096×2160 | 2048×1080 YCbCr 4:2:2 10 bit |
1920×1080*1 YCbCr 4:2:2 10 bit |
1920×1080*1 YCbCr 4:2:2 10 bit |
1920×1080*1 YCbCr 4:2:2 10 bit |
Recording signal configuration | ||||||
Recording Type | Frame rate | |||||
MP4 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
|||||
Output signal configuration | ||||||
Recording Type | Frame rate | Resolution | SDI terminal | HDMI OUT terminal | ||
SDI output | HDMI maximum resolution | |||||
2048×1080 / 1920×1080 | 1920×1080 | 3840×2160 | 1920×1080 | |||
MP4 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
3840×2160 |
1920×1080 YCbCr 4:2:2 10 bit |
3840×2160 YCbCr 4:2:2 8 bit*2 |
1920×1080 YCbCr 4:2:2 10 bit*3 720×480*4 (59.94p) 720×576*4 (50.00p) |
|
1920×1080 |
1920×1080 YCbCr 4:2:2 10 bit |
Output Signal Configurations (During Playback)
Recording signal configuration | Output signal configuration | |||||
---|---|---|---|---|---|---|
Recording signal configuration | ||||||
Recording Type | Frame rate | |||||
RAW |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
|||||
Output signal configuration | ||||||
Recording Type | Frame rate | Resolution | SDI terminal | HDMI OUT terminal | ||
SDI output | HDMI maximum resolution | |||||
2048×1080 / 1920×1080 |
1920×1080 | 3840×2160 | 1920×1080 | |||
RAW |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
4096×2160 | 2048×1080 YCbCr 4:2:2 10 bit |
1920×1080*1 YCbCr 4:2:2 10 bit |
1920×1080*1 YCbCr 4:2:2 10 bit |
1920×1080*1 YCbCr 4:2:2 10 bit |
Recording signal configuration | ||||||
Recording Type | Frame rate | |||||
MP4 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
|||||
Output signal configuration | ||||||
Recording Type | Frame rate | Resolution | SDI terminal | HDMI OUT terminal | ||
SDI output | HDMI maximum resolution | |||||
2048×1080 / 1920×1080 | 1920×1080 | 3840×2160 | 1920×1080 | |||
MP4 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
3840×2160 |
1920×1080 YCbCr 4:2:2 8 bit |
3840×2160 YCbCr 4:2:2 8 bit |
1920×1080 YCbCr 4:2:2 8 bit 720×480 (59.94p) 720×576 (50.00p) |
|
1920×1080 |
1920×1080 YCbCr 4:2:2 8 bit |
|||||
2048x1080 |
2048×1080 YCbCr 4:2:0 8 bit |
1920×1080 YCbCr 4:2:0 8 bit |
1920×1080 YCbCr 4:2:2 8 bit |
* 1: 2048×1080 signals will have black bands added above and below.
* 2: YCbCr 4:2:0 8bit when the frame rate is 59.94P or 50.00P.
* 3: Output will be YCbCr 4:2:2 8 bit when the recording mode is slow motion mode.
* 4: The recording mode of slow motion is excluded.